On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance.

In the first year, 1988, I wrote and sold 3 novels.

I've been reading horror since I was five years old.

During that first year, I felt guilty that my wife was out working bringing in all our income, while I was at home playing on the computer, so I made myself treat writing like a job.

I got up with my wife, I sat down at the computer when she went to work, and I didn't stop until she got home.

I've devoted a lot of my time and effort during the past few years to developing my advertising copywriting business to the point of where I can support my family and don't have to depend on writing fiction for my income.

Even the contemporary horror authors who have seriously influenced me are a disparate bunch.

I'm a fan of short horror fiction... in fact, the most memorable horror I've read is of the short variety... but I have a hard time pulling it off myself.

When I decided to take writing seriously, I did a lot of reading and analyzing of the books I liked, and came up with what I thought were pretty sound plotting and structure basics.

Actually, the 14 novels were written over a period of just over 6 years.

For each book, the time is also broken up.

For the novels I wrote before selling anything, I didn't outline much. I had a vague idea of the story.

I spent two months on the first draft, working 8 hours a day, five days a week.

Trying to break into the horror market seemed natural.

The way I outline has changed quite a bit from when I first started writing.

On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance.

The benefit of this kind of outlining is that you discover a story's flaws before you invest a lot of time writing the first draft, and it's almost impossible to get stuck at a difficult chapter, because you've already done the work to push through those kinds of blocks.

A couple of weeks after that, Zebra Books phoned with an offer, and I accepted.

When I was a teenager, I got into SF, quite heavily, and that too has had a major impact on my writing.

So, in effect, my first sale was actually two books.

Many of my short stories (all unpublished) were horror, and the novel I'd just finished was horror, too.

So, I outlined a horror novel and started writing.

The Lord doesn't like us to be dead. Be alive. Sometimes I dance to the glory of the Lord, because He said so.

I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

I cannot sing, dance or act; what else would I be but a talk show host.

No matter how close to yours another's steps have grown, in the end there is one dance you'll do alone.

When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.

I grew up with six brothers. That's how I learned to dance - waiting for the bathroom.

I would love to do more music, definitely. That is my true passion. Dance is first and then music.

They're not particular about whether you're playing a flatted fifth or a ruptured 129th as long as they can dance to it.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

The real message of the Dance opens up the vistas of life to all who have the urge to express beauty with no other instrument than their own bodies, with no apparatus and no dependence on anything other than space.

It's always been my dream to do a dance scene with Anthony Hopkins.

Sex in a dance is in the eyes of the beholder. I never thought my dances sexy. I suppose that's because I see myself with my face washed, and to me I look like a rabbit.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

We were at our best when we were playing in the dance halls of Liverpool and Hamburg. The world never saw that.

We want to be the band to dance to when the bomb drops.

Life is like dancing. If we have a big floor, many people will dance. Some will get angry when the rhythm changes. But life is changing all the time.

People come to see beauty, and I dance to give it to them.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

I wasn't out drinking and abusing my body. I simply loved to go out and dance.

And dance is wonderful because dance is so immediate.

Disco is just pop music you can dance to.

For a London play, rehearsal time would be four weeks for the entire show. In films, I'd spend six weeks on the big dance numbers to get them perfect before the actual shooting.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

I'm a song and dance girl. I can act enough to get by. But that's the limit of my talents.

I don't really think about dance except just before rehearsals start. I put it off. I don't live my life thinking about dance.

Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.