I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.

But you're not necessarily ever going to be handed a script where you can say: it's all done and perfect.

I'd like to play characters who are older - I don't want to be playing 14-year-olds too much longer.

I just want to act. I just want to do the work.

For Astrid, no matter what challenges they go through, they are going to face each other. It's hard for a daughter to accept that her mother is that selfish and that terrible.

I've always loved acting with adults versus like the whole High School feel.

I mean, I like to think of myself as being strong and independent, but I definitely wasn't like that at 14.

Obviously you don't want to be anonymous, but you don't want everyone to know your life.

I did musicals from about age 10 to 18.

My dad's an architect and my mom owned a French bakery for twelve years.

I don't know... I don't want people to know everything about me.

My private life... Nobody should care. I think it's weird.

I think everybody faces challenges in their lives. I've definitely been through it - not to the extreme that Astrid did. I try to keep some kind of identity and strength.

You know what? It's a great conversation starter, right? You meet friends that way. Sometimes it's a good thing. And then other times, I guess, the person is just a little too... then you kind of like want to back away. It depends on the person, you know?

But, you know, it really depends on the character. Age doesn't really matter.

I don't think I'll ever be comfortable with the idea of being famous.

I'm 24. I think when I was 18, 19, I had a problem with it because I wanted to look older and more womanly. I look in the mirror and I don't feel or look 14 to myself, regardless of what other people think. I'm fine with it and it really doesn't matter what age I'm playing.

I still get really nervous, though, before each performance. It kind of hits about 15 minutes before we go onstage - sometimes I don't even want to go on. But once I'm onstage I'm fine.

I like to take a character and develop it.

I mean, God, I'm so lucky right now with the opportunities that I've had. There's nothing to worry about.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Firms would be given initial entitlements to gross markup on the basis of past performance. These entitlements would be transferable and a market in them would be developed.

Humans are imperfect. That's one of the reasons that classical and jazz are in trouble. We're on the quest for the perfect performance and every note has to be right. Man, every note is not right in life.

And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.

To boast of a performance which I cannot beat is merely stupid vanity. And if I can beat it that means there is nothing special about it. What has passed is already finished with. What I find more interesting is what is still to come.

The next day I was in my school's production of All My Sons. This was the performance where I realized something was happening between me and the audience that I hadn't recognized before.

From protecting our natural resources to providing maritime security and national defense, the Coast Guard's duties are broad in scope, and the performance of those duties has never been more important.

To vote is like the payment of a debt, a duty never to be neglected, if its performance is possible.

I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance.

Unless an entire row of people got up in the middle of a performance and left the theater in disgust, I felt as though I hadn't done my job.

I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.

What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.

I always want to do things that are different. I don't want to be doing the same thing, the same performance constantly, and it feels like most people tell you that they are the same. However different you feel might approach them.

I've done scenes in films that I felt like the performance was better in certain takes, but they couldn't use them because it didn't match what the person was doing when they came around and the camera was on them.

I am always more interested in performance and character depiction, and my direction says as much.

Did you know I staged the first performance in America of At the Hawk's Well?

An arts education helps build academic skills and increase academic performance, while also providing alternative opportunities to reward the skills of children who learn differently.

What kind of morons do you have working at newspapers in Austin that would base an entire review of an artist's performance on whether or not they had a good seat?

What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator and we all play Gladiator with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.

A performance is only as good as the audience you are playing to. A lot of times you feed off of the audience, and we always try to give them all we've got and sometimes you don't get a lot back, but we've never been dead whenever we've performed.

Performance is your reality. Forget everything else.

The eating of burning brimstone is an entirely fake performance.

Offspring, the due performance on religious rites, faithful service, highest conjugal happiness and heavenly bliss for the ancestors and oneself, depend on one's wife alone.

Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.

Confidence... thrives on honesty, on honor, on the sacredness of obligations, on faithful protection and on unselfish performance. Without them it cannot live.

The value of old age depends upon the person who reaches it. To some men of early performance it is useless. To others, who are late to develop, it just enables them to finish the job.

If I had a bad performance in a particular leotard, I threw it in the trash.

We need to make sure parents and coaches are aware of the dangers an on the look-out for the warning signs. Performance enhancing drugs are too damaging to young people for parents and coaches to not be involved.

No one will ever argue that someone could have played Helen Keller better than Patty Duke. It was an incredibly demanding role and I don't think anyone can argue that it was a false performance.