Not all celebrities are dunces.

Sheer flattery got me into the theater. Flattery always works with me, particularly the flattery of women.

Both my brothers became physicians and I, of course, wandered into a business where the undisciplined are welcome.

I have heard show business characterized as a refuge for childlike persons in flight from all things harsh and real.

Nations have come under the control of haters and fools.

Talent can be developed, gift is God-given. But artists have both.

Those offers come in now and again. They're not knocking down my door. I'm only an old character actor, and I'm not needed.

Half the pictures directed by men of reputation fail.

One irreducible residual of 38 years in the business is the number of lasting, loving friendships I have made.

In a capitalist society, persons who create capital, like Michael Eisner, are given the staggering rewards.

It seems that entertainment is what most excites us and what we value above everything else.

My Irish derivation has nothing to do with me. Why should it?

Conventional show-biz savvy held that Americans hated to be the objects of satire.

Vulgar and obscene, the papers run rumors daily about people in show business, tales of wicked ways and witless affairs.

My professional life in Hollywood has been filled with joy and laughter.

The wages of pedantry is pain.

I'm lucky. Lord, I'm lucky.

Not all celebrities are dunces.

I enjoyed in every way my 12 years of playing Archie, and I wasn't personally sad about finishing a long job.

I hate pride, but if I were going to be proud of anything it would have to be something I'd done myself. Race pride is kind of stupid.

Millions of people thought Archie was a happy hero.

The reviewer is a singularly detested enemy because he is, unlike the hapless artist, invulnerable.

All in the Family was intellectual; it was art.

It was a lack of system that made the '30s Depression as inevitable as all others previously suffered.

We don't really need reviewers, just first-night reporters who will tell us faithfully whether or not the audience liked the show.

I've run into some S.O.B. directors, but I gave them back as good as I got.

I do talk less now because the sound of my voice saying over and over the things I said years ago embarrasses and depresses me. Why do I say the same things over and over?

Even a true artist does not always produce art.

Some people thought we were presenting Archie as a false character. President Nixon thought we were making a fool out of a good man.

'Envy the Night' was my first stand alone, the first book I'd written in the third person and I loved the feel of that, and it was different but it was also the same. 'So Cold the River,' I knew, was going to be really different, and that's why I thought about doing it as a novella under a pseudonym, because I didn't want to damage my career.

Conflict with the United States is one of the overwhelming facts of Latin American history.

The best way to change it is to do it. Right? And then after a while you become it, and it's easy.

I don't think that anyone should be in control of a relationship. I think that if you have a woman that controls her man, he is a puppet, and he is weak.

We eat, therefore we hunt.

I was a terrible Sugar Babies addict, so I had more cavities than the surface of the moon.

When I was a kid, I always had a big thing for Dannii Minogue. Initially I liked Kylie, but I quickly moved on to Dannii. There was always something more alluring about her. I think I actually wrote to her asking if we could meet.

The consequences of a misstep in a well, while large to the immediate people that live around that well, in the great scheme of things are pretty small, and even to the immediate people around the well, they could be mitigated.

To give the best of the day to your work is most important.

I do notice that when I've been away and I come back to London. People look at you. People are ready to pick arguments.

Millions of us track ourselves all the time. We step on a scale and record our weight. We balance a checkbook. We count calories. But when the familiar pen-and-paper methods of self-analysis are enhanced by sensors that monitor our behavior automatically, the process of self-tracking becomes both more alluring and more meaningful.

The Minister of Transport issued this appeal to motorists: Can anyone give him a lift to Leicester?

I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.

I want to learn from the mistakes my dad made.

I think I'm hysterical. I watch myself on tape and just roar - isn't that weird?

There is nothing either good or bad, but thinking makes it so.

Scripture is the thing I like to share with people more than anything. My prayer reality is quite kooky. I have this very unique dialogue with the Lord. I utilize my own sort of street vocabulary - nothing slang that would be unacceptable.

I work in a world of words - words that inspire, words that persuade and, increasingly, words that can send the message that it is acceptable to hate.

I carry the memories of the ghosts of a place called Vietnam - the people of Vietnam, my fellow soldiers.

I can have everything I love at the same time. I can have my family, I can have my friends, and I can have my quiet life, which I also like. I can have my football, and I can have everything together, and I don't need to give up one to be better than what I am.