Some people thought we were presenting Archie as a false character. President Nixon thought we were making a fool out of a good man.

Sheer flattery got me into the theater. Flattery always works with me, particularly the flattery of women.

Both my brothers became physicians and I, of course, wandered into a business where the undisciplined are welcome.

I have heard show business characterized as a refuge for childlike persons in flight from all things harsh and real.

Nations have come under the control of haters and fools.

Talent can be developed, gift is God-given. But artists have both.

Those offers come in now and again. They're not knocking down my door. I'm only an old character actor, and I'm not needed.

Half the pictures directed by men of reputation fail.

One irreducible residual of 38 years in the business is the number of lasting, loving friendships I have made.

In a capitalist society, persons who create capital, like Michael Eisner, are given the staggering rewards.

It seems that entertainment is what most excites us and what we value above everything else.

My Irish derivation has nothing to do with me. Why should it?

Conventional show-biz savvy held that Americans hated to be the objects of satire.

Vulgar and obscene, the papers run rumors daily about people in show business, tales of wicked ways and witless affairs.

My professional life in Hollywood has been filled with joy and laughter.

The wages of pedantry is pain.

I'm lucky. Lord, I'm lucky.

Not all celebrities are dunces.

I enjoyed in every way my 12 years of playing Archie, and I wasn't personally sad about finishing a long job.

I hate pride, but if I were going to be proud of anything it would have to be something I'd done myself. Race pride is kind of stupid.

Millions of people thought Archie was a happy hero.

The reviewer is a singularly detested enemy because he is, unlike the hapless artist, invulnerable.

All in the Family was intellectual; it was art.

It was a lack of system that made the '30s Depression as inevitable as all others previously suffered.

We don't really need reviewers, just first-night reporters who will tell us faithfully whether or not the audience liked the show.

I've run into some S.O.B. directors, but I gave them back as good as I got.

I do talk less now because the sound of my voice saying over and over the things I said years ago embarrasses and depresses me. Why do I say the same things over and over?

Even a true artist does not always produce art.

Some people thought we were presenting Archie as a false character. President Nixon thought we were making a fool out of a good man.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.