Metaphors · They work well in iOS because people physically interact with the screen. They move views out of the way to expose content beneath. They drag and swipe content. They toggle switches, move sliders, and scroll through picker values. They even flick through pages of books and magazines.

Clarity · Throughout the system, text is legible at every size, icons are precise and lucid, adornments are subtle and appropriate, and a sharpened focus on functionality motivates the design.

Clarity · Negative space, color, fonts, graphics, and interface elements subtly highlight important content and convey interactivity.

Deference · Fluid motion and a crisp, beautiful interface help people understand and interact with content while never competing with it. Content typically fills the entire screen, while translucency and blurring often hint at more.

Deference · Minimal use of bezels, gradients, and drop shadows keep the interface light and airy, while ensuring that content is paramount.

Depth · Distinct visual layers and realistic motion convey hierarchy, impart vitality, and facilitate understanding. Touch and discoverability heighten delight and enable access to functionality and additional content without losing context. Transitions provide a sense of depth as you navigate through content.

Aesthetic integrity · It represents how well an app’s appearance and behavior integrate with its function. For example, an app that helps people perform a serious task can keep them focused by using subtle, unobtrusive graphics, standard controls, and predictable behaviors.

Aesthetic integrity · An immersive app, such as a game, can deliver a captivating appearance that promises fun and excitement, while encouraging discovery.

Consistency · A consistent app implements familiar standards and paradigms by using system-provided interface elements, well-known icons, standard text styles, and uniform terminology. The app incorporates features and behaviors in ways people expect.

Direct Manipulation · The direct manipulation of onscreen content engages people and facilitates understanding. Users experience direct manipulation when they rotate the device or use gestures to affect onscreen content. Through direct manipulation, they can see the immediate, visible results of their actions.

Feedback · It acknowledges actions and shows results to keep people informed. The built-in iOS apps provide perceptible feedback in response to every user action.

Feedback · Interactive elements are highlighted briefly when tapped, progress indicators communicate the status of long-running operations, and animation and sound help clarify the results of actions.

Metaphors · People learn more quickly when an app’s virtual objects and actions are metaphors for familiar experiences—whether rooted in the real or digital world.

User Control · Throughout iOS, people—not apps—are in control. An app can suggest a course of action or warn about dangerous consequences, but it’s usually a mistake for the app to take over the decision-making. The best apps find the correct balance between enabling users and avoiding unwanted outcomes.

User Control · An app can make people feel like they’re in control by keeping interactive elements familiar and predictable, confirming destructive actions, and making it easy to cancel operations, even when they’re already underway.

I grew up in Alabama in a very small town and didn't have access to the finest of anything, really. But my mother was the kind of woman who just wanted us, me and my sisters, to be exposed to any and anything she could find.

Ah, man, if I could ever hook up with Tom Waits, I'd be the happiest camper in Yellowstone, alright? That's the one guy.

It means zero to be against greed.

I'm developing the stuff all the time. There's a film in my head. I'm imagining a film.

Just because something is on trend, it might not work for you.

There's a lot of directors who were actors, so they have the sensibility of an actor, which sometimes helps.

I think you find universal truth when you get really honest with yourself and you can reach people. If you go deep enough, you have that core feeling, and that feeling can transcend the details of your experience.

Read my letter to the old folks, and give my love to them, and tell my brothers to be always watching unto prayer, and when the good old ship of Zion comes along, to be ready to step aboard.

I tend to think of a myth and then explore how it would play out if it were happening in the modern-day world. I modify all the myths I use, but I stick very closely to their structure - it is the hidden teacher in me.

Since the Korean War, U.S. and South Korea have established an enduring friendship with shared interests, such as denuclearizing the Korean Peninsula, combating aggression abroad and developing our economies.

I'm a real voyeur.

When I see a white piece of paper, I feel I've got to draw. And drawing, for me, is the beginning of everything.

I'd love to drive a Lamborghini, but I think it's hard when the pedals are way down in there, and you sit real low, but I've come up with some pedal extensions. I actually sit in a kids' car seat that my old boss put this beautiful leather wrap around, and it looks just like a Corvette seat that sits on top of my leather Corvette seat.

I'm definitely addicted to purses.

People failed to realize that when you're living such a hyper, super reality of a life, where you're just doing shows and you're on TV and you're talking to this magazine, that doesn't bode well for trying to talk about everyday stuff that hopefully you'll connect with people on.

Nothing is sacred, right?

The only time to buy these is on a day with no "y" in it.

The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.

If I could do shoes for anyone, it would be a special project for the Queen of England.

I would love to fly privately, but unfortunately, I don't. I don't summer anywhere either.

In and of itself, keeping the country safe for business is not a bad thing.

I was not given to looking at life in a rosy light.

My dad didn't want me to go for drama in school, so I chose the closest thing to it and got a bachelors degree in Communications at the Manhattan College.

Its but little good youll do a