London Bridge, André Derain, oil on canvas, 1906, Fauvism.

Woman with a hat, Henri Matisse, oil on canvas, 1905, Fauvism

Improvisation 28, Vassily Kandinsky, 1912, Expressionism

Large Blue Horses, Franz Marc, 1911, Expressionism

"Street, Dresden", Ernst Kirchner, 1908, Expressionism

Les Demoiselles d'Avignon, Pablo Picasso, 1907, Cubism

Guernica, Pablo Picasso, 1937, Cubism

Unique forms of continuity in space, Umberto Boccioni, 1913, Futurism

Fountain, Marcel Duchamp, 1917, Dada

Nude descending a staircase, Marcel Duchamp, 1912, the Armory Show (cubist and/or futurist)

The Steerage, Alfred Stieglitz, photograph, 1907, Photo-Secession

Light Iris, Georgia O'Keeffe, 1924, Precisionism

Melancholy and Mystery of a Street, Giorgio DeChirico, 1914, Metaphysical Painting

The Persistence of Memory, Salvador Dali, 1931, Surrealism

Dutch Interior I, Joan Miró, 1928, Surrealism

Object, Meret Oppenheim, fur covered cup, 1936, Surrealism

The Two Fridas, Frida Kahlo, 1939, Surrealism

Suprematist Composition: Airplane Flying, Kazimir Malevich, 1915, Suprematism

Monument to the Third International, Vladimir Tatlin, wood/iron/glass model, 1919-1920, Constructivism

Composition in Black and White and Red, Piet Mondrian, 1936, DeStijl

Schröder House, Gerrit Rietveld, 1924, Utrecht Netherlands, DeStijl

The Bauhaus, Walter Gropius, 1925-1926, the Bauhaus

Villa Savoye, Le Corbusier, 1929, International Style

The Robie House, Frank Lloyd Wright, 1907-1909, Prairie Style

Kaufmann House "Falling Water", Frank Lloyd Wright, 1936-1939, Wright's later work

The Chrysler Buildings, William Van Alen, 1928-1930, Art Deco

Bird in Space, Constantin Brancusi, 1928, Organic Art

Reclining Figure, Henry Moore, 1947, Organic Art

Migrant Mother, Dorothea Lange, 1935, Depression Era Art

Nighthawks, Edward Hopper, 1942, Depression Era Art

Migration of the Negro #58, Jacob Lawrence, tempera on masonite, 1940-41, Depression Era Art

American Gothic, Grant Wood, oil on beaverboard, 1930, Depression Era Art

Detroit Industry, Diego Rivera, fresco, 1932-33, Mexican Muralism

I never went wrong by being myself.

I have always loved running on the roads, ever since I used to take part in relays for my club when I was 12 and 13. I felt really at home on the surface.

I believe that the responsibility of the winemaker is to take that fruit and get it into the bottle as the most natural and purest expression of that vineyard, of the grape varietal or blend, and of the vintage.

'In the Cut' was not what readers expected of me. Before it was published, I was seen as a women's writer, which meant that I wrote movingly about flowers and children.

A good teacher is like a candle - it consumes itself to light the way for others.

I look out of this window and I think this is a cosmos, this is a huge creation, this is one small corner of it. The trees and birds and everything else and I'm part of it. I didn't ask to be put here, I've been lucky in finding myself here.

It is the still, small voice that the soul heeds, not the deafening blasts of doom.

The city has to do what any citizen or family does, when you have a dream. You tighten your belt. You sacrifice some luxuries. Above all, you don't waste a dime.

It is better to do too much than to do too little.

You know, people speak in poetry all the time. They just don't realize it.

There is only one true thing: instantly paint what you see. When you've got it, you've got it. When you haven't, you begin again. All the rest is humbug.

If I want to be a better person for whoever is in my life I have to learn.

My readers know my views on politics and politicians because I make no secret of them in my comments for 'The New Yorker' and elsewhere.

Travel at faster than the speed of light certainly can have dramatic implications that are difficult to understand, such as time travel.

Honestly, 'Side A' is supposed to be a project just from my heart and whatever is happening in my heart at the time, and I want 'Side B' to also fit that same thing.

Our pat-down approach is very similar to what is being utilized in Europe and, as we know, around the world. It's even much more thorough in other parts of the world.