Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt.

These same people seem to forget that mother also took a lot of chances with the type of roles she played.

A lot of the advertisement is done by saying: first of all, have a complex about who you are.

In America, they are paranoid about ruining the reputations of people once they are dead and cannot answer back. They have this fascination which to me seems cruel and morbid. I do not want any part of it.

Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt.

I am now at an age when they wanted me to play her mother.

But my mother loved The Elephant Man, and my father gave David Lynch a scholarship to study in Rome.

There is this idea that you have to play heroines or women who succeed.

But I don't really see myself as a role model. I'm not a dictator, or someone who wants to be adored!

If we are completely honest with ourselves, everyone has a dark side to their personalities.

I didn't want to become an actress because the competition with my mother would have been to much to live up to.

When David left me I became totally brokenhearted.

I am much more radical in my beliefs than my products represent me to be.

I like to extend myself as an actress and David really helped me.

Animals are everywhere. Some are more romantic, like tigers and elephants and chimpanzees, and some are less romantic, like earthworms, but they are just as interesting.

Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.

As I grew older, I worked less as an actor and as a model, and I went back to what I had tried to do when I was young but wasn't really available. I'm so glad now to be in my sixties and to be able to go back to school.

Before Darwin, our world was very religious. People saw altruism as something given by God for us to be good so that we could go to Paradise.

By the time I was successful with covers of 'Vogue' and 'Harper's Bazaar' and 'Vanity Fair' and the Lancome contract, someone asked how old I was. They almost fainted when I said 33.

Ever since I was a little girl, I have always loved animals and been fascinated with them.

Every time you work, it's a new film, and generally when you work with auteurs, people that write and direct their films, there's always an originality.

Food is a big part of my culture, so everyone knows how to cook. When I came to America and asked a babysitter to softboil an egg for my son and she didn't know how, I was shocked.

I always dreamed when I was a little girl interested in animals that I would go live in Africa. Then I found out that you can look in your backyard, and you can do your own safari.

I always have parmigiano-reggiano, olive oil and pasta at home. When people get sick, they want chicken soup; I want spaghetti with parmesan cheese, olive oil and a bit of lemon zest. It makes me feel better every time.

I always say that in my career as an actress, I've always worked with people like David Lynch or Guy Maddin or Peter Weir who are considered not mainstream directors and that could be because they are like my dad. They are pioneers, and pioneers, by definition, invent something new.

I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies.

I became an actress way into my 30s because I thought that I had to find my own way, and that's why I worked so much in modelling, until I realised that the differences between acting and modelling weren't that great. I always say that modelling is a little bit like being a silent actress.

I don't look at 'Vogue' to ask what I'm going to wear. Because it's something on a body too young. I have to look at the social pages to see women my age. To see how Amanda Burden is dressed and say, 'Hmmm. Maybe I should try that.'

I don't wear much makeup, except during work. I felt lucky to be chosen to be a model. I used to joke, 'The next best thing to winning the lottery is having a beauty contract.'

I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.

I grew up in a family of filmmakers, so I always wanted to make films about animals, especially comical films. Something about animals amuses me. And they have a great mystery. It's the same mystique some people might feel looking at the stars or the ocean.

I have the most fun writing and directing. And I always choose myself as the lead actor.

I live in New York, and the only live animals you see are cockroaches, rats and pigeons, which I admire immensely. When I see an animal that thrives in the garbage, I feel relief; in our urban environment, other animals are dying out.

I live my everyday life as a person, and I react to my photos from a certain distance. When I look at a photo, I detach myself and look at it as a product - not as me, Isabella.

I loved modeling. I absolutely loved it. I was so happy to get the cover of 'Vogue' - 23 times. I keep each copy. I made more money as a model than as an actress or as a filmmaker. In monetary terms, beauty pays more than anything.

I never really think about what I have to do to stick to my image. I just follow what I like to do. Sometimes it's glamorous, sometimes it's not.

I seldom look at myself to avoid any self-criticism.

I started modeling at 28. I'm 5-feet-7 1/2, and I never went on a diet. I followed what my doctor told me: 'It's good to have a little bit of fat. Your weight is fine. Don't go any lighter.'

I think I was always interested in animals. If a man likes a woman, you know, he might discuss business, but there's a part of his brain that is looking at the girl coming in and checking the girls. I do the same with animals.

I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.

I was always interested in animals, but when I was little, animal behavior was still a new science. It was available to become a veterinarian, it was available to study biology, but not specifically animal behavior. In the '60s, Jane Goodall was the founder of this new science.

I was born with a love of animals, the same way I was born with brown hair. When I was a little girl in Rome, I always had pets, which I adored.

I would like to be forgotten. What's so good about being remembered?

I would love to be a field biologist. I would love to do what Jane Goodall did, just totally immerse myself in the life of one specific species for years and study every aspect of its behavior until little by little, all of these patterns become clear. That would be great, but I don't know if I have it left in me.

I'd love to meet Darwin. He caused such controversy over whether God created the earth in six days or whether we evolved over time. I'd love to discuss that with him - what a fantastic conversation!

I'm always a little worried when people have met me in person because I'm worried they'll be disappointed.

I've always been an entertainer all my life; I come from a family of entertainers. I always made, very pretentiously, a comparison with Agatha Christie. Her inspiration was crime, and I'm sure she must have taken courses or read about crime, because it was the basis of her stories. But ultimately, it was her own fantasy.

I've always been interested in animal behavior, and I keep reading about it because it's so surprising all the time - so many things are happening around us that we neglect to look at. Part of the passion I have for biology is based on this wonderment.

I've had a lot of 'aha' moments, but the big 'aha' about growing older is the mental freedom.