One can't paint New York as it is, but rather as it is felt.

Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.

I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.

I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.

It was all so far away - there was quiet and an untouched feel to the country and I could work as I pleased.

To create one's world in any of the arts takes courage.

I've been absolutely terrified every moment of my life - and I've never let it keep me from doing a single thing I wanted to do.

You get whatever accomplishment you are willing to declare.

It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.

One can't paint New York as it is, but rather as it is felt.

One can not be an American by going about saying that one is an American. It is necessary to feel America, like America, love America and then work.

I had to create an equivalent for what I felt about what I was looking at - not copy it.

Nobody sees a flower really; it is so small. We haven't time, and to see takes time - like to have a friend takes time.

Anyone who doesn't feel the crosses simply doesn't get that country.

I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.

The days you work are the best days.

I don't very much enjoy looking at paintings in general. I know too much about them. I take them apart.

I decided to start anew, to strip away what I had been taught.

I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.

I feel there is something unexplored about woman that only a woman can explore.

Sun-bleached bones were most wonderful against the blue - that blue that will always be there as it is now after all man's destruction is finished.

Marks on paper are free - free speech - press - pictures all go together I suppose.

When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not.

I believe I would rather have Stieglitz like something - anything I had done - than anyone else I know.

I often painted fragments of things because it seemed to make my statement as well as or better than the whole could.

I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was particularly fine at night with the stars above the tree.

I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.

I hate flowers - I paint them because they're cheaper than models and they don't move.

I found I could say things with color and shapes that I couldn't say any other way--things I had no words for.

War is killing the individual in it unless he has learned livingness if he had it he wouldnt be a good soldier.

If you take a flower in your hand and really look at it its your world for a moment.

Its not enough to be nice in life. Youve got to have nerve.

Interest is the most important thing in life; happiness is temporary, but interest is continuous.

Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.

The funniest comedians are in touch with their emotional level.

The thing that's been really surprising about the evolution of Facebook is - I think then, and I think now - that if we didn't do this, someone else would have done it.

It's different for people who have not seen a symphony conductor conduct from a chair. I feel very connected to the orchestra in a way that a conductor sometimes does not feel. I think it's more visceral.

I'm very comfortable in the air. And if you're really in love with flight, you're in love to a certain extent with being outside of the body, not grounded. The problem is, if you're not in your body, you can't actually feel anything particularly authentically.

When people are very damaged, they can often meet the world with a kind of defiance.

My consciousness is without limits more than when I was 40 or 50.

I like to go to anybody else's birthday, and if I'm invited I'm a good guest. But I never celebrate my birthdays. I really don't care.

Stephane Richard is far more attuned to the market than Didier Lombard.

If a woman is super-successful, she is called a psychopath.

In the case of the classic Western helicopter parent, it starts with Baby Einstein and reward charts for toilet training, and it never really ends, which is why colleges have to devote so many resources to teaching parents how to leave their kids alone.

I think I have a very nice demeanor, but at the same time, when pushed, I will freak out. I have a backbone, but I don't feel like I'm terrible about it.

I love L.A. for the beach and stuff, that's the reason I live here.

I'd hate to be a songwriter starting a career today.

Most people respond to my paintings quite generously, but there have been cases where I think people - a few critics in particular - were actually moved by the work but were disturbed by the feelings it evoked, so they attacked it. Some people find the realm of my work quite uncomfortable.

Your body is a vehicle of your emotions and a vehicle of feelings and a vehicle of whatever you need to get done in life. And you've got to take care of that vehicle.