The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.

But the working I would always want to do.

So I felt, well, I'll make the money and, with the money, do what I want to do.

From that, I became very anxious to produce something of my own.

They had to start shaving my chin when I was 12 years old because light started to pick it up.

They kept me in short pants as long as they could, until they were shaving the hair on my legs because it was beginning to photograph.

If it's boring, then it's tiring.

I never say too much about that in public interviews, because it disappoints the public to tell them you're not that crazy about a property you did that possibly they liked.

So then you have to say to yourself: Do I want to be rich, or do I want to do good work?

Well, they just don't know anything else except that one form of their business, acting, and they don't really want to learn any other part of it, or they would. Directing and producing and putting a show together is very creative, for me.

I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.

People like Spencer Tracy held up because they had the background originally, but to this day they never have changed Mr. Gable's role, or most of them.

I remember Mr. Mayer very well. He sort of liked to be the father - no, he liked to be treated like you thought he was Daddy, but he didn't treat you like Daddy at all.

They thought in terms of: whatever you had that started you at the box office, this was it.

So I'm in that half-hour business where the most money is, so that eventually I feel like the people that put on the Dupont show, like maybe my artistic effort is going to be a little different.

The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.

There was never any effort made out there to improve the artist.

But I want to do good work, after this series.

There was only so much television you could do.

To me, the series was the end of the actor, when the series ended.

So whatever I might have started to learn at that age was all undone by the next director and next crew in the next cheap picture, because I was allowed to get away with murder.

So if I keep making mistakes on Broadway or tape or film, producing, directing or acting, I can go along and do it - so long as I'm not investing too much capital in these things.

I just knew how to do the one thing I did, and whether I did it well or not depended on who the director was.

A nice, steady job I don't need that bad. I'm not that satisfied with it.

A lot of people like to run in plays because it's a nice, steady job.

In those days, even as a boy, I watched some people that I knew were living way beyond their means.

I hope this series is good work, but it is in the half-hour medium, which is limited to a kind of mediocrity that sponsors are just dying to have right now, and the public, for some reason, is unconsciously demanding.

By Rice's own standards, the war was well underway by the time he took office. He was a war president the moment he took the oath. But did he act like one?

Well, I think that those of us in public life that are trying to do a good job, and that are faced with this popular new game that the media has of being critical of everything that anybody in public office does probably are thin-skinned.

It was also during my tenure of office that the Japanese Government agreed to the conclusion of a Nuclear Non-Proliferation Treaty and signed it, pursuing a policy in harmony with the avowed desire of the people.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

Don't try to be somebody you're not because it doesn't work. If you try to be this perfect person or perfect persona of what you think that somebody should be when they're involved in public office, it's just not going to work. Just be yourself, stay true to your core values, and really just stay abreast of the issues.

From my very first day in the Mayor's office, I have worked closely with the Council members who share our vision of a city hall that really protects taxpayers and cares... yes... about the little things that make a big difference in people's lives.

That the apostolic office is temporary, is a plain historical fact.

No man should have a political office because he wants a job.

The thing I enjoyed most were visits from children. They did not want public office.

The right way to reign in healthcare costs is not by applying more government and more controls and making it more like the post office, it's by making it more like a consumer-driven market.

The British soldier can stand up to anything except the British War Office.

You get elected, often, if you're a woman, on the strength of the women's vote; then you get into office, and you have to adapt to an overwhelmingly male environment.

I couldn't sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.

Laboring men can perform for themselves the office of becoming their own employers.

If you win the Oscar, you get to go into just about anybody's office for a month.

Things on the whole are much faster in America; people don't 'stand for election', they 'run for office.'

For the past several years, the Meth Caucus has worked to engage the Office of National Drug Control Policy on this issue. We have tried to get their attention that meth requires a strong, comprehensive Federal policy.

In the discharge of the duties of this office, there is one rule of action more important than all others. It consists in never doing anything that someone else can do for you.

He who uses the office he owes to the voters wrongfully and against them is a thief.

I wonder if that's hurt me at the box office. Maybe audiences these days want to know exactly what to expect when they go into a movie, and my movies are hard to explain in just one way.

I will undoubtedly have to seek what is happily known as gainful employment, which I am glad to say does not describe holding public office.

Well, you know I have an office, my film offices. So I know that syndrome. I fancy offices, so there must be something wrong with me. Even the window cleaner intrigues me. It's a very sexy environment.