Sometimes I say to myself, what are you doing in this absurd job? Why don't you go to Africa and help people? But I cannot help people, because I am a hypochondriac.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I want to act because I don't know how to do anything else.

I will work with a director who has good material because at the end of the day, that's what counts.

What does my performance have to do with Russell Crowe's? Nothing. If I play Gladiator and we all play Gladiator with Ridley Scott in the same amount of time, maybe we have a chance to see who did it best.

I used to be a good party boy. I'm old. I'm an old man. You pay the consequences. I'm just fine with a couple of drinks, no more than that.

I truly don't have any formula for the choices I make.

The award is important in order to bring people to the movie theater. That's the only principle meaning of any award.

But don't call me an actor. I'm just a worker. I am an entertainer. Don't say that what I am doing is art.

When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'

I was emotionally and physically punched in the stomach. This is not a place where you go and deliver the lines and then you come back. It's kind of a life-changing experience. But it can't get better than this for any actor - this is like an opera.

But I remember the moment when my father died. I wasn't a very committed Catholic beforehand, but when that happened it suddenly all felt so obvious: I now believe religion is our attempt to find an explanation, for us to feel more protected.

We live in the moment now where this whole movie business is crazy.

I look at myself, and I see a Spanish person who's trying to be understood by an English-speaking audience and is putting a lot of energy into that, instead of into expressing himself freely and feeling comfortable.

Really, I don't see this heart-throb thing at all.

I do respect people's faith, but I don't respect their manipulation of that faith in order to create fear and control.

Some quality performances and movies have a chance to be rewarded, but it's not like it's a bible.

The only thing I can do is act, but it's not something I even feel comfortable doing. It costs me a lot, because I'm a shy person, even if I don't look it.

Everybody in Spain is sick of me. But in America, there's curiosity about the new kid on the block who doesn't speak English very well. The attention makes me feel vulnerable, which is something I hadn't felt in a while. But I like it.

Sometimes I say to myself, what are you doing in this absurd job? Why don't you go to Africa and help people? But I cannot help people, because I am a hypochondriac.

I don't know how to drive a car.

Every time I wake up, I see myself like somebody beat me up.

I don't really care where movies come from as long as they're worth making.

This great imperialistic world called the United States has made us believe that an Oscar is the most important thing in the world for an actor. But if you think about it for five minutes you realise it can't be.

We actors always say how difficult and physically demanding a role was. But give me a break, it's only a movie.

I have this problem with violence. I've only done one movie in almost 20 years where I killed people. It's called Perdita Durango. It's a Spanish movie. I'm very proud of the movie, but I felt weird doing that.

I think we are living in selfish times. I'm the first one to say that I'm the most selfish. We live in the so-called 'first world,' and we may be first in a lot of things like technology, but we are behind in empathy.

I am always saying, 'I don't believe in God; I believe in Al Pacino.' And that's true. If I ever get a phone call saying 'Would you like to work with Al Pacino?' I would go crazy.

My truth - what I believe - is that there are no answers here and, if you are looking for answers, you'd better choose the question carefully.

Celebrity is very weird.

I enjoy my job as long as I can create a character, otherwise it's boring.

An award doesn't necessarily make you a better actor.

I live in Spain. Oscars are something that are on TV Sunday night. Basically, very late at night. You don't watch, you just read the news after who won or who lost.

The personal thing is something I have never talked about. And I never will. That is prohibited. My job is public. But that's it. When you're not working, you don't have an obligation to be public.

Now, there are so many movies, so many festivals, and so many awards going on, each judged with each other, like your work is worse than others and that's not fair. How can you tell what's best and what's worst from these awards? We're talking about art.

And the whole Oscar thing, that is just surreal: you spend months and months doing promotion, and then come back to reality with this golden thing in your hands. You put it in the office and then you just have to look at it sitting on the shelf. And, after about two weeks, you go: 'What is that doing there?'

My concern is to continue respecting my work as I've done since I began as an actor and I could only do that if I'm strong enough to keep on doing what I think best in an artistic way.

I've always said that playing rugby in Spain is like being a bullfighter in Japan.

Bond is the longest-running franchise ever and there's a reason for that: they are action movies but they are also touched by current events without being political or too serious.

I do a job and am lucky enough to do a job that I love, but it is a hard one. I'm not saying it is as hard as working in a coal mine, but it is still difficult in a different way. Sometimes you have to go through very strong emotional journeys and then come back to yourself. And that can be difficult to control.

I don't believe in stereotypes. Most of the time, stereotypes are just that.

I was raised not to be afraid to show emotion or imagination.

I'm a great believer in stunt doubles. They do an amazing job.

I'm happily married.

I've always said I don't believe in God, I believe in Al Pacino.

Imagine the situation between Israel and Palestine. It's such a big mess. You can be on one side or the other. But what's clear is that there's an urgent need for a solution there and that's been dragging on for so long.

Life is not perfect.

Many people out there don't have a choice in choosing their friends and the people they're being manipulated by. Thank God, I have that choice. I can use my judgment and choose.

People have been born in refugee camps and they are getting tired of that.