Si te es posible usar diagramas o imagenes procura que sean interesantes y que brinden valor o fuerza a tus palabras. No uses demasiadas letras, mucho texto no es bueno.

Para que las personas se interesen en investigar el tema por su cuenta o contactarte para más información puedes dejar algunas preguntas sin responder que los muevan a buscar las respuestas.

Una Flash Talk es una presentación corta, entre 10 y 15 minutos en la cual se presenta un tema o historia.

Explica porqué es interesante escuchar lo que tienes que decir y donde podrán encontrarte luego de la Flash Talk.

Para que tu Flash Talk sea exitosa debes atraer la atención de las personas, puedes usar una promesa como Hoy vas a aprender esto; o Esta es una historia que te servirá para lo otro;

Responde a estas preguntas: De que vas a hablar? Cómo lograste lo que hiciste? Con quien trabajaste? Que recomiendas a la audiencia para que también logren hacerlo?

En tu Flash Talk nunca debes dejar de mirar a tu audiencia y darle la espalda seria algo fatal.

El Flash Talk debe tener una duración entre 10 a 15 minutos. La idea es dar mucho conocimiento, transmitir un sentimiento o motivar a tu audiencia dejandoles el interés de investigar por su cuenta el tema y hacer que las personas se interesen.

Si te es posiblre puedes usar una dinamica o modificar tu tono de voz para que tu mensaje llegue más claro y sea más interesante para tu audiencia.

Recuerda enfatizar los puntos más importantes. Procura que no sean demasiados, con doa o tres es más que suficiente.

Si puedes hacer reir a tu audiencia hazlo pero no abuses de este recurso. Hacer algo que no esperan tan bien es una buena forma de atraer su atención.

Whoever wants peace among nations must seek to limit the state and its influence most strictly.

You can tell a person's morale from their Twitter feed. I like that; it's so honest. And I like being able to follow people who I respect and admire, and the possibility of them seeing my comment about them.

I don't know why I developed a social consciousness, but I really think I have a consciousness; I feel connected to everything and everybody in the world.

In all my movies, there's always a kind of heartfelt element, to be able to do a drama and to be able to spend more time in the emotional stuff with no pressure to get back to the funny that's very liberating for me.

Aggression is something that is a part of me, and I'm never going to take that out of my game.

I usually get up between 7 A.M. and 8 A.M., have coffee, and go right to work. It's really important not to get sidetracked in the morning so I'm still in that dreamy state for my writing.

It is up to you to decide who to believe: the same people as usual or those who endanger their lives to save the country.

Being a good listener is more than just being quiet. It's reflecting back on what you're hearing. It's processing the information to formulate a question, a comment or a speech.

Truth is not something that you can search outside, it is something that needs to be explored within. Truth descends when you are in the state of no-mind. Being meditative leads into the state of no-mind.

I learned early on not to feel badly about reaching out for help, and not to feel embarrassed about saying that you're in over your head.

When you are working on a script, the story itself is not difficult. You say this would happen and then this, resulting perhaps in this. And the dialogue you make as true as you can.

You know you're an Arizona native when you hug a cactus only once in your lifetime.

With 'Bright Star' and with 'The Piano,' too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film, even if it's contemporary, creates its own world.

Goaltending is a suffering position. Your equipment protects you from injury but not from pain every time you go out there. And if you allow a goal the red lights go on for everyone to see. But you get to be a hero too

America's greatness is largely because of how we value the weakest among us.

I always did think that when I turned 40, I'd start coming into my own.

There is no art without Eros.

I look around at people who had success so early and then didn't know what to do with themselves.

Once a word is spoken it flies you cant catch it.

The real reason why people are going with digital is that it's extraordinarily mobile, and it's cheaper, and it has a great image, and you just can't beat it at night. It's pulling in variations of colors; it's pulling in lights from 40 miles away - a candle would be seen.

I love going to the cinema. Whenever I get time off, that's where I go.

Nothing should be perfect. I think that's the most important thing. I do wear my jackets almost exaggeratedly short. So that's probably the most mussed up. Along with, you know, not ironing my shirt.

Ascension through all levels of consciousness and awareness can only happen when you live life as you, and not how others think you should live. How could self-realization possibly be anything other than being yourself?

If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.