I played a scene at the end of my first year, and that's how I was discovered.

I don't feel restricted by the language: I feel more free.

I really believe great actors, even with disease and age, can be great.

But what I really like are old Hollywood movies. Very often I watch AMC.

And I think it is the genius of actors to be able to escape whatever people are expecting of them. Otherwise you become like a factory worker.

I'm not a movie star like other actors in the way that I need to walk with a bodyguard.

If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.

But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that's maybe what helped me to get the part.

I see my friends, my family, my cousins work all day long for very little money, and if I have this problem of not being able to wall on the streets, it's not a big deal.

Imagination creates some big monsters.

Also, I have found that I really like to work in English. It's very strange because it's exactly the opposite of what I thought it would be like.

It's not only imagination, it's the distortion of the vision. You suddenly think, This person is idealistic, this person is strong, this person has dreams, when you know better most of the time. You put what you want to see on people.

I like Brad Pitt; I just have nothing to do with him.

I'll always be a foreigner.

I don't have goals in life.

People sometimes recognize me here, but they are very nice.

I want just to be happy and peaceful. And that's not always the case when you're married.

My father was champion of North Africa and he beat the European champ. He was very good, a professional for 12 years. We're from a big family of boxers. My father has seven brothers.

I quit after a bad car accident. The thing about boxing is that you can be a star for five or six years, but when you go back to the old life, it's tough.

Before, I was so stupid. But, you know, when you have friends who died on the street, you say, okay, let's calm down. It's not the kind of energy I want to have in life. I want to go slower, and longer.

I was born and raised in a suburb of Paris by a working-class family.

The first time Adrian saw me was on tape. But you should know that this never works - never in the history of movies has someone been cast from a video.

It's nice to have some distance with your family. As long as you're closer to them by love.

I always say I was born too late in the world, too old.

It's like all the signs were telling me that I shouldn't be a boxer, so I quit.

If you want to be happy, live discreetly. Does that make sense in English?

Love is based on imagination.

I played a scene at the end of my first year, and that's how I was discovered.

I don't want to dig in the truth all of the time. Let me dream.

I wanted to become a champ - I was surrounded by champs in my family and in my neighborhood - and because of this stupid accident, I lost my opportunity.

Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it.

The big difference with Juliette and the others in that film is that she goes beyond acting.

Who knows what happens tomorrow? We'll find it tomorrow.

And what's more I've got no need for anyone to tell me how to do it. I am not interested. You act how you want to and leave me alone to do my own thing.

I never analyze why I was with one woman instead of another.

I became hooked on the idea of being able to shoot an image and process it myself, and end up with a product.

At the end, the realization is that she had to get to a place in her life where she could drop her guard and make peace with the fact that whether she had a small amount of time, that she had to kind of live it completely through, instead of living by the rules.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

Young actors often don't think of the consequences of doing nudity or sex scenes. They want the role so badly that they agree to be exploited, and then end up embarrassing family, friends, and even strangers.

They haul you up there for, you know, week after week in this kind of star chamber proceeding. Then at the end of it they say, well, we found nothing, but now it's time for special counsel.

The difference between talking on your cell phone while driving and speaking with a passenger is huge. The person on the other end of the cell phone is chattering away, oblivious.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

The big battle at the end of DW isn't drawn from history, but it's influenced by history, certainly.

Every new beginning comes from some other beginning's end.

I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there.

Pacifist propaganda and the resolutions of the parliamentarians encouraged such treaties, and toward the end of the nineteenth century their number had increased considerably.