I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

I have to experiment with methods and I'm trying to find an authentic way of making an equivalent of the living, breathing person within the limits of a single picture.

I have never subscribed to the Dirty Pallet school of painting.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

When I look at some of my old work, the pieces I find most interesting are the ones with people in them.

I've had to do all kinds of jobs to pay the rent. I've even worked in a Cornish tin mine.

I felt the need to get back to painting and I thought the best way was to start drawing, so I enrolled in a life drawing class. I soon discovered that people made very interesting subjects and I am still surprised that I had never discovered it before.

I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?

I think most people see drawing as subservient to the subject, a sort of meditation, a studying, a searching observation, in my case, for its own sake.

You could always go on changing things but there comes a time when you have to decide to stop.

As a kid I quite fancied the romantic, Bohemian idea of being an artist. I expect I thought I could escape from the difficulties of maths and spelling. Maybe I thought I would avoid the judgement of the establishment.

I had been living with dialysis for three years or so, and the new kidney felt like a reprieve, a new gift of life. I felt alive again and I guess that has had an effect on my use of colour.

I tried to learn the violin for a while.

Painting is seen as picture making, the making of an art object, something that can stand on its own.

When you left on Saturday, I felt a horrible void, I saw you everywhere, on the beach, in your room, in the garden: impossible for me to get used to the idea that you had left.

Of course The Beach Boys will be camp.

Babies don't need a vacation, but I still see them at the beach... it pisses me off! I'll go over to a little baby and say 'What are you doing here? You haven't worked a day in your life!'

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

I like to cook, walk on the beach, go to concerts and look at fine art.

It was like in Samoa when they'd put up a movie screen on the beach and show movies and the locals would run behind the sheet to see where the people went. It was pretty grim.

I've never been one to run around in Speedos on the beach.

You know, The Beach Boys' image is kinda like a group Doris Day, you know what I mean?

The pictures we saw before we got down here didn't even touch the reality of what it is like being here. We can be right on the beach with all the devastation and still not be able to imagine what it was like when the wall of water actually came up.

I've been kind of submerged in my own little geographic location for a really long time in Venice Beach.

We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about.

The British are so funny. It's like they can't believe I lived in Hackney. 'You could live in Bondi Beach. Why would you want to live in 'Ackney?' But Hackney's fantastic. I'm serious. There are so many artists there. I loved the markets, the parks, the pubs, the diversity. It was a cultural melting-pot.

I rent houses in LA when I'm filming. I find the isolation there terrifying. There's nowhere to go, there's nowhere to be with people. I'm not a beach bunny.

One cannot collect all the beautiful shells on the beach. One can collect only a few, and they are more beautiful if they are few.

The moon is essentially gray, no color. It looks like plaster of Paris, like dirty beach sand with lots of footprints in it.

And I was in another band called Flash In The Pan, which was soca, Latin music, down in Laguna Beach.

They were heading out to the middle of the bay - the Gulf - that's another thing that became kind of standard practice, we didn't hurry the destroyers around the beach any more, when it got dark, we'd take 'em out thirty or forty miles out in the middle of the Tonkin Gulf.

I manage a team, for beach soccer. I'm the coach. Player, coach.

If Frank and The Beach Boys got together and did a Super Session album, it would be a gas.

There will always be a Beach Boys. Being a Beach Boy is like being in love.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

I can't wait to be that age and hanging out with a bunch of people hanging out all day playing golf and going to the beach, all my own age. We'd be laughing and having a good time and getting loopy on our prescription drugs. Driving golf carts around. I can't wait.

A mere forty years ago, beach volleyball was just beginning. No bureaucrat would have invented it, and that's what freedom is all about.

The sea does not reward those who are too anxious, too greedy, or too impatient. One should lie empty, open, choiceless as a beach - waiting for a gift from the sea.

Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.

The Beach Boys are not a superstar group. The music is the superstar of the group.

The awesomeness of God is that even in the works of the Beach Boys, Beatles, etc., the beauty of the music is a mere reflection of what God does everyday. He creates music of all kinds and moods.

I hate vacations. If you can build buildings, why sit on the beach?

I move between San Francisco and Paris... I have a wonderful beach house in California.

But I try to steal other moments. Sometimes I get up very early in the morning and enjoy a quiet house and cup of tea before the craziness begins. Other times, I'll take a quick walk on the beach. You can find peace in a few minutes.

What's really important in life? Sitting on a beach? Looking at television eight hours a day? I think we have to appreciate that we're alive for only a limited period of time, and we'll spend most of our lives working.

Miami Beach is where neon goes to die.

To myself I am only a child playing on the beach, while vast oceans of truth lie undiscovered before me.

It was just crazy opportunity to see that whole world and the competitions that we had in the film, like Long Beach, it was just crazy and so much fun. I felt like I lived all those moments in the movie.

A lot of my buddies also played golf, but when it came to going to the beach or on the boat and chasing girls, they usually went that way and I went to the golf course.