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'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
I'm sure I would have been considered a more significant artist if I was a singer-songwriter. It's just not the way I roll. I love being a curator and a musicologist. People write me letters and thank me for turning them on to Fred McDowell and Sippie Wallace, and that's partly my job this time around.
There is commerciality in storytelling, even in a film or a piece of literature. These things exist. That's why stories came to be: to hold attention and, while you're not looking, you'll get hopefully some nutritional value that the author has been working up. That's narrative; that's passing stuff down.
We cannot go back in time and change the past, but we can repent. The Savior can wipe away our tears of regret and remove the burden of our sins. His Atonement allows us to leave the past behind and move forward with clean hands, a pure heart, and a determination to do better and especially to become better.
Though there are some notable exceptions, by and large the persistent ranting of the Warren Commission critics, some of whom were screaming the word 'conspiracy' before the fatal bullet had even come to rest, came to remind me, as H. L. Mencken said in a different context, of dogs barking idiotically through endless nights.