La permanencia, perseverancia y persistencia a pesar de todos los obstáculos, desalientos e imposibilidades: es eso lo que distingue las almas fuertes de las débiles
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The question I ask myself when adapting a book is how do I be true to the spirit and soul of the character? How would I describe this character in my medium? If you asked one person to do a painting of something and another to create a sculpture of it, you'll never ask, 'Why doesn't the painting look like the sculpture?'
It's highly dishonorable to ever quit a production. I never have done it, and I can't imagine ever doing it. However, I have been in productions before where, on the first in the read-through, you feel that someone is in trouble, and indeed, actors have been let go shortly after read-throughs. I've seen that happen before.
If you realize all the time what's kind of wonderful - that is, if we expand our experience into wilder and wilder regions of experience - every once in a while, we have these integrations when everything's pulled together into a unification, in which it turns out to be simpler than it looked before.