CTRL+B # 向后移动，同 Left

CTRL+E # 移动到行末，同 End

CTRL+C # 结束当前命令

CTRL+D # 删除光标前的字符，同 Delete，或者没有内容时，退出会话

CTRL+P # 移动到命令历史的上一行，同 Up

CTRL+N # 移动到命令历史的下一行，同 Down

CTRL+F # 向前移动，同 Right

CTRL+H # 删除光标左边的字符，同 Backspace

CTRL+G # 退出当前编辑（比如正在 CTRL+R 搜索历史时）

CTRL+K # 删除光标位置到行末的内容

CTRL+L # 清屏并重新显示

CTRL+O # 类似回车，但是会显示下一行历史

CTRL+R # 历史命令反向搜索，使用 CTRL+G 退出搜索

CTRL+U # 删除字符到行首

CTRL+S # 历史命令正向搜索，使用 CTRL+G 退出搜索

CTRL+V # 输入字符字面量，先按 CTRL+V 再按任意键

CTRL+T # 交换前后两个字符

ALT+t # 交换字符

CTRL+W # 删除光标左边的一个单词

CTRL+X # 列出可能的补全

CTRL+Y # 粘贴前面 CTRL+u/k/w 删除过的内容

CTRL+Z # 暂停前台进程返回 bash，需要时可用 fg 将其切换回前台

ALT+f # 向前（右边）移动一个单词

CTRL+_ # 撤销（undo），有的终端将 CTRL+_ 映射为 CTRL+/ 或 CTRL+7

ALT+b # 向后（左边）移动一个单词

ALT+d # 删除光标后（右边）一个单词

CTRL+A # 移动到行首，同 Home

ALT+BACKSPACE # 删除光标前面一个单词，类似 CTRL+W，但不影响剪贴板

CTRL+X CTRL+X # 连续按两次 CTRL+X，光标在当前位置和行首来回跳转

CTRL+X CTRL+E # 用你指定的编辑器，编辑当前命令

We women often gauge our own self-worth by the quality of our interactions with our lovers. And often these interactions are interpreted for, described for, processed by our women friends. Relationships are the conduits through which flows our connection with each other.

I do strongly identify with being Jewish. I was raised Orthodox and had a childhood complicated by the fact that my father was deeply religious and my mother was not.

The first piece of 'long' fiction I wrote was a novella parody of Stephen King's 'Christine.' I was in high school, and my version was about a kid with a possessed locker instead of a possessed car. It was also my first attempt at humour, which fell completely flat because no one who read it realized it was a parody!

We design our own programmes; we take leadership. Of course the donors come in to support us, to complement our efforts. Our responsibility to the donors is about accountability: about how we use that money. If somebody gives you his money, definitely he will be interested in knowing how you spend the money.

Bees have so much to offer us if we only listen.

I will argue that in the literal sense the programmed computer understands what the car and the adding machine understand, namely, exactly nothing.

Salvation is the root-the resurrection is the fruit.

Part of the joy and pleasure of English is its boundless creativity: I can describe a new machine as bicyclish, I can say that I'm vitamining myself to stave off a cold, I can complain that someone is the smilingest person I've ever seen, and I can decide, out of the blue, that 'fetch' is now the word I want to use to mean 'cool.'

Animals are certainly more sophisticated than we used to think. And we shouldn't lump together animals as a group. Crows and chimps and dogs are all highly intelligent in very different ways.

I'm a better mother if I'm also doing my work. Some women find a lot more satisfaction from doing the hardest job, which is being a mom. But I like my day job, so I juggle a lot.

Our Republic and its press will rise or fall together.

Every single day I wake up and make up my mind that I am going to work really hard. Then my mind laughs at me and says Good joke. Then we laugh for some more time and I go back to bed.

I'm pretty awesome at making salad dressings.

Kev has these old Boston drills, where you all have to talk to each other, and interact, and it's helped us.

When you make machines that are capable of obeying instructions slavishly, and among those instructions are 'duplicate me' instructions, then of course the system is wide open to exploitation by parasites.

For me, taking photographs is such a tortured process. I'm always feeling like I'm not getting enough: I'm in the wrong place, the light isn't good, the subject's not comfortable.

I love things that people hate. I hate middle-of-the-road stuff. It never really interests me.

The poet existed among the cave men; he will exist among men of the atomic age, for he is an inherent part of man. Even religions have been born from the need for poetry, which is a spiritual need, and it is through the grace of poetry that the divine spark lives forever in the human flint.

But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier years.