People can get obsessed with romance, they can get obsessed with political paranoia, they can get obsessed with horror. It's isn't the fault of the subject matter that creates the obsession, I don't think.

You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.

What I had to say was, in general, I'm not really a fan of any one genre of any kind of film.

The idea of it becomes a little freaky if you're dealing with someone who has trouble differentiating between fantasy and reality, but that's a concern no matter what kind of movie you're dealing with.

I think that was the case here. We just wanted it to be good for everybody.

I think that's created a healthy environment. The comparisons to "ER" were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.

First and foremost, it was fun. Everybody involved with it made you feel like they were an important contributor to the process. We were made to feel valued.

I feel like Josh, Michelle and Adam were all team players, who wanted to be a part of an ensemble.

I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive.

I really would have been stupid not to have done it. It was also a film that was actually happening, I mean, Miramax was doing it, and it had a kind of legitimacy to it. And once I read the script, I was there.

It's amazing that this is still news to people, but that affects the final outcome of the film. When people are treated well, and they're made to feel valued, they give 110 percent.

It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.

It's the same thing that drives people to want to experience sexual pleasure or have one too many drinks. We all want to experience the other, and to get out of our daily existence.

To confront those fears, in a controlled environment, where there's 300 people around you going through the same thing, it's this weird sort of yin and yang.

We all look to have transcendent experiences that lift us out of the everyday, and fear is a good one. But, I think it's the same reason why people want to laugh their heads off.

The place was crawling with youngsters. It was good, because the kids were good. I can't make a general assumption. Again, you're probably getting, as a general theme from me, that I don't make a lot of broad, sweeping rules about movies.

People can get obsessed with romance, they can get obsessed with political paranoia, they can get obsessed with horror. It's isn't the fault of the subject matter that creates the obsession, I don't think.

I can't imagine that I would have been cast in the role, without Jamie Lee giving me a thumbs up.

I want to continue doing as big a variety of things as I can do, and if that means I have the honor of getting to do more feature work, I would love that. I know that if I make any other long-term TV commitments, it's not going to be on a drama.

I think in the case of horror, it's a chance to confront a lot of your worse fears and those fears usually have to do, ironically, with powerlessness and isolation.

I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.

But, after all, we are a young nation, and vanity is a fault of youth.

That's one of our biggest problems, it's always somebody else's fault instead of our own fault.

It's my fault in many cases because I don't initiate the contact to talk with a lot of other musicians.

We don't suggest that because San Francisco lies on top of an earthquake fault that it should be moved.

I think in the wake of Katrina, the Coast Guard may well have been the only entity or agency that came out of that exercise free of fault and free of blame.

Be calm in arguing; for fierceness makes error a fault, and truth discourtesy.

Correct one fault at a time. Concentrate on the one fault you want to overcome.

A woman should say: "Have I made him happy? Is he satisfied? Does he love me more than he loved me before? Is he likely to go to bed with another woman?" If he does, then it's the wife's fault because she is not trying to make him happy.

Nothing would be done at all if one waited until one could do it so well that no one could find fault with it.

The basic fault lines today are not between people with different beliefs but between people who hold these beliefs with an element of uncertainty and people who hold these beliefs with a pretense of certitude.

I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too.

The absent are never without fault. Nor the present without excuse.

There's man all over for you, blaming on his boots the fault of his feet.

It may be true, that men, who are mere mathematicians, have certain specific shortcomings, but that is not the fault of mathematics, for it is equally true of every other exclusive occupation.

It just broke my heart, and I had to get away from it. I love them to death, but they know how bad it got. It's not their fault, but I couldn't do that any longer.

If you become addicted and a junkie, well, that's your fault.

If I'm in danger then it's usually my fault and it's up to me to get myself out of it. I am not in it just to get an adrenalin rush. No way!

At the same, we need to remain sensitive to the reality that we are still an African society in which the majority of the people and communities live under severe deprivations and afflictions that are no fault of theirs.

Heaven knows that I have done all that a mortal could do, to save the people, and the failure was not my fault, but the fault of others.

The base paths belonged to me, the runner. The rules gave me the right. I always went into a bag full speed, feet first. I had sharp spikes on my shoes. If the baseman stood where he had no business to be and got hurt, that was his fault.

One of the surest evidences of friendship that one individual can display to another is telling him gently of a fault. If any other can excel it, it is listening to such a disclosure with gratitude, and amending the error.

Telling lies is a fault in a boy, an art in a lover, an accomplishment in a bachelor, and second-nature in a married man.

It's very difficult to determine whether this is the fault of the world that has abandoned the Church, or the Church that does not know how to relate to the world.

A fault is fostered by concealment.

If it's never our fault, we can't take responsibility for it. If we can't take responsibility for it, we'll always be its victim.

In the beginning, everybody that gets to work with me, thinks I'm nice. But three weeks later, they hear a bell ringing. Then they realise I meant everything I said during that first week. It's not my fault people are not taking me serious from the first moment.

Find fault with thyself rather than with others.

I've slept with a couple of people and made some poor choices and put things in jeopardy with... what I was happy with, and that's my own fault. I've got no one else to blame about that stuff.