I know that if I can't move people, then I have no business being an actor.

I used to watch the world as if it was a performance and I would realize that certain things that people did moved me, and certain things didn't move me, and I tried to analyze, even at that age, six and seven and eight, why I was moved by certain things they did.

I know that if I can't move people, then I have no business being an actor.

'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.

A director without a vision is a catastrophe.

A product is most easily sold when it has an identity. So they wrap you all up and put a label on you. And then that's what you have to be. But what I'm looking for is the opportunity to explore what I can do, probing the limits, learning.

Education does not mean jamming information into somebody's head. Rather, it's that ancient idea that all knowledge is within us; to teach is to help somebody pull it out of themselves.

For everybody, the tide comes in, the tide goes out - if you're an actor, particularly.

I can't even pretend to play golf.

I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.

I don't believe there's anything in life you can't go back and fix. The ancient Vedas - the oldest Hindu philosophy - and modern science agree that time is an illusion. If that's true, there's no such thing as a past or a future - it's all one huge now. So what you fix now affects the past and the future.

I don't care about names attached to the script. That doesn't matter to me. All things being equal, I would like to work with a good script with a good director, and the part I play is of less important than those two factors.

I don't know what I'm proudest of. The fact that my kids still talk to me.

I don't know why we have to put things in boxes of superlatives. That isolates them. Life is fluid, and the minute you start trying to put a line around something, it will deceive you and go away.

I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.

I don't mind watching plays once in a while, but as long as I don't have to be in them.

I get a little upset, yeah, if a year goes by and I don't get a script. Thank God I have other interests that keep me from becoming a nervous wreck.

I gotta keep busy. I'm not happy unless I'm working on two, three things.

I gotta make a living. I make no bones about that. Most actors do. But within that context, I've never not tried to make something as fresh and alive as I possibly could make it.

I had a hard time treating my field as if it's horse racing, putting actors in competition against each other. I see how the industry and the studios feel it's important, but I don't really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.

I love doing kids' shows, and I love working with kids. I've done a lot of it. A lot of people don't like working with children, but I love it.

I love insane, stupid comedy, but I can only make it work if it's a character I can give some history to and make real. Like the guy I played in 'Little Miss Sunshine.' He's a maniac, but to me he was absolutely believable.

I never had a better role than I had in 'Little Miss Sunshine.' That was one of my favorite roles ever.

I used to have a lot of philosophies of acting; they all fell apart over the years.

I wanted to make it in New York. I thought if I went out to the Midwest, I'd be burying myself. But I was wrong.

I was a stoopball fan. I played stoopball all the time.

I was terrified of being on stage, and I had to work very hard at a craft to get past that.

I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.

I wrote my epitaph: He started out a particle and ended up a wave.

I'd have to say that my favorite kind of film is serious comedy. Comedy with serious underpinning. 'Little Miss Sunshine' is like that. That's my fave genre, if I had to pick one.

I'm an actor. My life as an actor depends on who sends me what. I'm just taking the best stuff that I can find that's sent my way, regardless of how big or little the paycheck is.

I'm as old as I am, and I don't try to hide it. It's not a big deal.

I'm not sure if I've learned anything from show business. Life in general has taught me if you're kind to people, everything gets easier. Being a decent person really smoothes the way for you and everyone else.

I'm used to changing a lot of the dialogue. But if I feel like the script is working, I don't want to mess with it.

I'm very old. I haven't got time to be charming.

It's - everybody's looking at the bottom line all the time, and failure doesn't look good on the bottom line, and yet you don't learn anything without failing.

It's murder to doubt yourself in life. It took until I was 45 to get to that point. As hard as it is in your work, it's harder in your life. But it can be done.

It's not that there is a terrible morality in Hollywood. I think there isn't any. There isn't any, by and large.

Marriage requires searing honesty at all costs. I learned that from my third wife.

My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.

My favorite thing about making movies is that it's the only area of human life that I've ever discovered where I can walk away from somebody in the middle of a conversation with somebody and they won't be offended.

My favorite thing is to be working with people I enjoy working with. I've reached the point where, emotionally, I don't need to act any more. Financially, I do. But emotionally, it wouldn't matter to me if I never acted again.

NI love watching science fiction because I feel like when it's done well, it's not just monsters, but philosophy. Really good science fiction like, '2001,' for example, or the first 'Matrix.' But it takes someone who's got a brain and thinks in order to do really good science fiction.

No matter how much time you spend reading books or following your intuition, you're gonna screw it up. Fifty times. You can't do parenting right.

No matter what you do or where you are, you're going to be missing out on something.

Over the years, I played with a couple of spectacular guitar players, and playing with them has made me play better than I knew how to play. I hope the same thing is true with acting.

People think that the people in Hollywood have some master plan. They just make the movies that people go to see. I think it's that simple. I promise you if people were lining up around the block to see a Bible movie, they'd make Bible movies from now to the end of time.

Something I miss terribly from the '60s - the most important phrase in the English language was, 'I got hung up.' Somebody says they got hung up, it's unassailable, you know? You don't go near that. Whoa! I know what that can be like.

TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.