I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.

When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.

Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.

I think we're quite unique in that we do have our own sound and approach and we don't really care what's going on elsewhere... we've never wanted to be part of another trend or movement.

We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough.

But when Neil called, I have to say that my heart soared. And the reason was, because it said so much about his recovery... that he was coming back to the world of the living.

The shock of any trauma, I think changes your life. It's more acute in the beginning and after a little time you settle back to what you were. However it leaves an indelible mark on your psyche.

If there was any one achievement, it would be that we've have done it on our own terms.

And on top of that, when we work together we have a wonderful working relationship we push each other we challenge each other we laugh 80% of the time that we are together we're very fortunate.

But I think the credit has to go to Geddy... he spent a lot of time in the studio with Paul, I think he needed that kind of focus to be in there to be a part of the whole thing, and for the most part he made all the major decisions.

When we signed our deal in 1974, we'd already been together for six years. When they lowered the drinking age in Ontario in 1971 to 18 years, we went from playing two or three high schools in a month to playing clubs two or three times a week.

Both Neil and I had done solo projects where we were the boss and I just thought that if he was willing to get into it, it would really be a good experience for him.

I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.

Certainly after the tragedy in Neil's life, we were holding out hope for his recovery. It wasn't too promising at the time and obviously you get to the point of thinking that that is it.

I think that's given inspiration to other musicians. I know, particularly through the 90s, a lot of bands would cite Rush as an influence. I don't think it was so much our music, but more the way we really stuck to our guns.

I mean, you go to the internet and you can see all these conversations and arguments that our fans have about our music and that's wonderful to know, that people would take the time to be that involved.

At the same time, I've never been afraid of death or the concept of death.

You know, we have a long history of covering different periods of this band's development with a live record... a sort of live thing that would be done for three or four records, and that was the intention with this particular package.

'Tom Sawyer' could have been written eight months ago, with the kind of response it still gets.

I enjoyed art in school. I've always done little drawings and stuff like that. I don't really know what I'm doing with the painting, but I experiment.

I really consider myself more of a rhythm guitarist than a soloist.

I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.

I'm not that fluid when it comes to scales and modes. I just pick up the guitar and play. It's all about exploration: just tune the guitar any way you want and start playing.

My parents got me a $25 Kent steel-string acoustic guitar when I was around 12. The following Christmas, my parents bought me a Conora electric guitar. It looked almost like a Gretsch. It cost $59, and my mom still has it.

Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.

One doesn't want to feel too contented; you have to feel challenged by the music.

People are getting away from the whole album experience, it's true. I think that's sad. Maybe I'm just saying that because I'm an old fart. But I can't help it - albums are what I grew up with, and I still love them.

The Stones were more dangerous than other bands of the Sixties. It looked like they had more fun than the Beatles - like they stayed up later.

When I sit down and play guitar, I melt into the instrument. I can play for hours by myself. Playing guitar has given me such a wonderful life, and I'm grateful for it.

The shock of any trauma, I think changes your life. It’s more acute in the beginning and after a little time you settle back to what you were. However it leaves an indelible mark on your psyche.

The education of my brother and myself was of paramount importance to my parents, and in addition to their strong encouragement, they were prepared to make any sacrifice to further our intellectual development.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

P.C. is just too Big Brother - telling me how I should act and feel.

I hated Chris, my brother. I would pull his hair and kick him, until one day my father gave him permission to fight back. I'll be apologizing to him for the rest of my life.

In high school and college all my friends and my brother wrestled.

I just did a picture book called The Wildest Brother on Earth, and you will find both of my children in there.

My brother and I were meditating before we were 6 years old, having to stare at the wall and chant.

I plan to go to college in Southampton, a fishery studies college. Again, my brother was down there about two years ago and he said it was great, so I'm looking forward to that.

I don't want to come off like the jealous brother who wasn't getting the attention, but it was like no one was really into me anyway. I wasn't really a priority.

As I have discovered by examining my past, I started out as a child. Coincidentally, so did my brother. My mother did not put all her eggs in one basket, so to speak: she gave me a younger brother named Russell, who taught me what was meant by "survival of the fittest."

My brother Cody is 19. He wants to stay out of the limelight and become a lawyer. I want him to be an entertainment lawyer, so he can help me out!

My brother and sister are both older than I am and were born before my father went off to World War I.

Teenagers too often have to deal with loss and death. You had to cope with the untimely death of your brother; how can young people deal with such tragedies?

My favorite Oscar story was a year my brother had been nominated, my whole family went.

No one could understand the bond between me and my brother. I struggled to understand the forces that drove his soul in one direction and mine in another.

I just had to find something else to fulfill me. Always being a singer and writing, it was a blessing. My brother started making music that was the kind of music I always saw myself singing.

So, my big brother was playing guitar and I figured I'd try it too.

I, Lawrence Klein, was born in Omaha, Nebraska, as were my elder brother and younger sister.

My birth neither shook the German Empire nor caused much of an upheaval in the home. It pleased mother, caused father a certain amount of pride and my elder brother the usual fraternal jealousy of a hitherto only son.