I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

The thing is there have been American movies that are similar to Solaris, like Alien had a lot of things that are similar, although it's also got the horror element.

Coppola has problems getting financing, so why should I not have problems getting financing.

After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.

I think movies are good for getting into dream states or exploring weird alternate states of thinking.

I actually did use to sell shoes.

I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

Like I said about Freaked, people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture.

I get very driven by certain themes and ideas.

The thing about movies these days is that the commerce end of it is so inflated and financiers are just expecting this enormous return on their investment.

It's hard for a hit to be bad for your career.

They're innocent movies, and they're fun movies and there were no pretensions about 'em.

Certain remakes are great. Carpenter's The Thing is better than the original.

The film, even when we were making it in that budget range, which was really a coup - we got it made because we pitched it to the studio head, Joe Roth.

I'm not trying to be some kind of underground renegade.

I think filmmakers want their movies to be seen.

I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.

I just like movies that somehow expose the world in a way that's different than you imagine it.

The trick of making movies in this culture is how to not give up everything that makes them worthwhile in order to get them made - and that's a tricky balance.

That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.

I direct a lot of TV commercials and music videos.

My favorite favorites are people like Bunuel, Fellini and Charlie Chaplin.

I'm one of the few people who really like Eyes Wide Shut.

I'm really influenced by so many different things.

With Fever, the film was so made for the screen, and there's so much surround sound that was done for the film - enormous detail paid to that. I wasn't thinking video, because I didn't know how it was going to turn out.

Same thing, like my commercials are often times really funny because I tend to find 30 seconds is a really good amount of time to tell a joke.

But it is funny, because I saw Unbreakable recently and it's a strange movie, I didn't mind it, and it's got some interesting things going on.

Hitchcock had to fight to the death to make his movies.

I take a lot from everywhere. I take from music, architecture, novels, and plays. Anywhere that hits you.

Certain remakes are great. Carpenters the thing is better than the original.

I was utilized because I have a certain face that works well in cinema, and I'm used to making myself look as good as possible.

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.

I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.

For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.

I don't go to the cinema much.

Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films.

I went to the Tokyo Film Festival in Japan because I love Japanese cinema.

No, I like today's cinema a lot. But I've spent so many decades only making movies. There's so much that I still want to do. Like, live. It's only up to me.

Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.

Cinema will always have an important role to play in society.

I hate that people think going to the theatre is a special occasion. I wish people would treat it as normally as going to the cinema.

I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.

I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating.

Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique.

If a violent act towards a woman takes place, and the inspiration for that act is violence in cinema, the inspiration for that act would have come from somewhere else if movies didn't exist.

Cinema is still a very young art form with extraordinary techniques and very impressive special effects but sometimes it seems the soul has been taken out of things.