France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.

Do you know that charming part of our country which has been called the garden of France - that spot where, amid verdant plains watered by wide streams, one inhales the purest air of heaven?

The study of social progress is today not less needed in literature than is the analysis of the human heart.

But it is the province of religion, of philosophy, of pure poetry only, to go beyond life, beyond time, into eternity.

Of what use is the memory of facts, if not to serve as an example of good or of evil?

France, for example, loves at the same time history and the drama, because the one explores the vast destinies of humanity, and the other the individual lot of man.

We live in an age of universal investigation, and of exploration of the sources of all movements.

Of what use were the arts if they were only the reproduction and the imitation of life?

What is the use of theorizing as to wherein lies the charm that moves us?

No writer, no matter how gifted, immortalizes himself unless he has crystallized into expressive and original phrase the eternal sentiments and yearnings of the human heart.

Just as we descend into our consciences to judge of actions which our minds can not weigh, can we not also search in ourselves for the feeling which gives birth to forms of thought, always vague and cloudy?

Art ought never to be considered except in its relations with its ideal beauty.

From this, without doubt, sprang the fable. Man created it thus, because it was not given him to see more than himself and nature, which surrounds him; but he created it true with a truth all its own.

I think, then, that man, after having satisfied his first longing for facts, wanted something fuller - some grouping, some adaptation to his capacity and experience, of the links of this vast chain of events which his sight could not take in.

Do you not see with your own eyes the chrysalis fact assume by degrees the wings of fiction?

One might almost reckon mathematically that, having undergone the double composition of public opinion and of the author, their history reaches us at third hand and is thus separated by two stages from the original fact.

What it values most of all is the sum total of events and the advance of civilization, which carries individuals along with it; but, indifferent to details, it cares less to have them real than noble or, rather, grand and complete.

On the day when man told the story of his life to man, history was born.

The human mind, I believe, cares for the True only in the general character of an epoch.

The acts of the human race on the world's stage have doubtless a coherent unity, but the meaning of the vast tragedy enacted will be visible only to the eye of God, until the end, which will reveal it perhaps to the last man.

Of late years (perhaps as a result of our political changes) art has borrowed from history more than ever.

We shall find in our troubled hearts, where discord reigns, two needs which seem at variance, but which merge, as I think, in a common source - the love of the true, and the love of the fabulous.

An army is a nation within a nation, it is one of the vices of courage.

We live in an age of universal investigation and of exploration of the sources of all movements.

History is a novel for which the people is the author.

I did radio back in the era when we did radio drama.

By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.

I had an amazing experience working with great people. I had a great family, a typical family with drama in certain areas, and that's pretty much everywhere in everyone's life.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.

You have to go to the ultimate situation in drama.

Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

I think the American West really attracts me because it's romantic. The desert, the empty space, the drama.

For me, football is just a game, not a drama.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

I'm doing music, and we both want to do some drama.

Culture clash is terrific drama.

I want to do drama, light comedy, the whole range.

We respond to a drama to that extent to which it corresponds to our dreamlife.

I always feel like an interloper when I do serious drama. It's my own paranoia.

Michigan is two radically different places - the North and the South which makes for good drama and contrast.

When the time came to make a decision about what do in life, I found myself thinking that acting was the thing I loved to do, so I applied to drama school. And then, I didn't get in - twice.

When I read great literature, great drama, speeches, or sermons, I feel that the human mind has not achieved anything greater than the ability to share feelings and thoughts through language.

I didn't get along with Lindsay Lohan on 'Confessions Of A Teenage Drama Queen', but you have to consider that we were 16-year-old girls. I haven't seen Lindsay since then, but I imagine she's grown and become a different person. I know I have.

A good drama critic is one who perceives what is happening in the theatre of his time. A great drama critic also perceives what is not happening.

The Russian drama began at the end of 1991, when the Soviet Union mercifully ended. Russia and 14 other new countries emerged from the ruins of the Soviet Union. Every one of those 15 new states faced a profound historical, economic, financial, social and political challenge.

A drama critic is a person who surprises the playwright by informing him what he meant.

When you're young you have no worries, no drama, only your imagination. It's the best!