I always start from scratch with a character - they're never based on anyone else. You get ideas of what people look like, and I'm a great people watcher. You can draw inspiration from people.

Being an actor is an extension of telling a story and I loved story telling as a child.

I think you know what you're up against when you take on a piece that you know is going to involve dragging up a lot emotions - you can end up being deeply immersed in gloom.

I always start from scratch with a character - they're never based on anyone else. You get ideas of what people look like, and I'm a great people watcher. You can draw inspiration from people.

I like to think I'm a listener, and I'm fascinated by observing people - I suppose you just lock that in.

But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day. I just dragged myself through GCSE and A Levels, so it suited me very much to go on to drama school, which was very active.

Forgotten was presented to me by the drama department at LWT as a concept and I found it immediately intriguing and very powerful. I was completely led by the power of the piece and its dramatic potential.

I could suddenly see the pressures all around; these endless magazines and cheap reality TV programmes poking at women, humiliating us for every flaw. It makes me so angry. I really wonder what it is we are doing to ourselves, because I do think women can be the worst ones for picking each other apart.

I couldn't imagine a home without animals.

I have been acting for 32 years now and I feel so lucky to be able to have done exactly what I wanted to do.

I have nothing against people having work done, it is when I hear tale of girls of 16 queuing up to get bigger breasts, that is when I despair.

I have sleepless nights before press days.

I still love coming into work everyday after so many years working as an actress. I've been working more or less continuously and I find I have to really want to do the project to make it work because you have to put such an enormous amount of effort into it.

I think some people think that being on television makes you a sitting duck, but you have the right to remain private.

I was a complete tomboy. I loved wandering out in storms or walking on the beaches in the dark. It was a very free upbringing, and I'm grateful to my parents for that.

I was on holiday recently and I came home to find that one of the papers here had 'bikini'd' me on the beach. I was wearing a grossly unflattering costume and they had published photographs of me taken from behind. I looked dreadful. I went into our local newsagent and bought up every copy.

I was taught by my father. He was head of the primary school so I went to his school until I was 11 - I was the youngest of four daughters and we had all been taught by him. But I didn't really enjoy my secondary education that much, probably because I am a very physical person and don't enjoy sitting at a desk all day.

I would never have changed anything in the past. I have been acting for 32 years now and I feel so lucky to be able to have done exactly what I wanted to do.

I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.

I'm becoming more squeamish. I didn't use to be - nine years of 'Silent Witness' prepared me for most things one will have the misfortune to see in life. Before, I'd be wading up to my neck in gore, but now I tend to look away.

If I want to run around a field when I'm 70, I would like to have that option.

It always interests me how obsessed people are about age.

No, I always wanted to be an actress.

Running gave me a focus to start looking after myself, to eat properly, and focus on building up my strength.

What a stupid attitude we have in this country to personal stories.

Whatever I'm doing, I try to give it everything.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.