If you clean it up, get analytical, all the subtle joy and emotion you felt in the first place goes flying out the window.

I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me.

I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.

It's all in how you arrange the thing... the careful balance of the design is the motion.

One's art goes as far and as deep as one's love goes.

To have all your life's work and to have them along the wall, it's like walking in with no clothes on. It's terrible.

Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen.

I can't work completely out of my imagination. I must put my foot in a bit of truth; and then I can fly free.

I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.

To be interested solely in technique would be a very superficial thing to me.

I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad.

It's a moment that I'm after, a fleeting moment, but not a frozen moment.

I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.

I surrendered to a world of my imagination, reenacting all those wonderful tales my father would read aloud to me. I became a very active reader, especially history and Shakespeare.

I dream a lot. I do more painting when I'm not painting. It's in the subconscious.

At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.

If you clean it up, get analytical, all the subtle joy and emotion you felt in the first place goes flying out the window.

I prefer winter and fall when you feel the bone structure of the landscape the loneliness of it the dead feeling of winter. Something waits beneath it the whole story doesnt show.

My pencil is like a fencer's foil.

I prefer winter and Fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.

The experience of life consists of the experience which the spirit has of itself in matter and as matter, in mind and as mind, in emotion, as emotion, etc.

I think it would have been a lot better for him to say, I did it and I'm sorry, McGwire was never one to show a lot of emotion on the field, not a player who sought attention and craved to be thought of as a nice guy.

In fact, words are well adapted for description and the arousing of emotion, but for many kinds of precise thought other symbols are much better.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

A person cannot love a plant after he has pruned it, then he has either done a poor job or is devoid of emotion.

I think we actually punish children out of their relationship with their bodies... we categorically separate mind and body and emotion and intellect.

And if thought and emotion can persist in this way so long after the brain that sent them forth has crumpled into dust, how vitally important it must be to control their very birth in the heart, and guard them with the keenest possible restraint.

My job is usually to express emotion as freely as possible.

People think love is an emotion. Love is good sense.

I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.

I often start writing in order to excite an expansive emotion.

I tried to have more than one emotion on the record.

I have lived too completely, I think. I have known every human emotion.

I'm an actor who believes we all have triggers to any stage of emotion. It's not always easy to find but it's still there.

Patriotism is not short, frenzied outbursts of emotion, but the tranquil and steady dedication of a lifetime.

It is impossible for emotion not to come on us in thinking of that time now flowed away.

I will try to account for the degree of my aesthetic emotion. That, I conceive, is the function of the critic.

I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.

Learn to reverence night and to put away the vulgar fear of it, for, with the banishment of night from the experience of man, there vanishes as well a religious emotion, a poetic mood, which gives depth to the adventure of humanity.

As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.

I do not literally paint that table, but the emotion it produces upon me.

The figure is still the only thing I have faith in in terms of how much emotion it's charged with and how much subject matter is there.

The public must suffer untold pangs from the stiffness, the deliberate stifling of emotion, on the part of many British actors.

The very essence of literature is the war between emotion and intellect, between life and death. When literature becomes too intellectual - when it begins to ignore the passions, the emotions - it becomes sterile, silly, and actually without substance.

The true meaning of religion is thus, not simply morality, but morality touched by emotion.

I use emotion for the many and reserve reason for the few.

Emotion is often what we rely upon to carry us across the unfathomable voids in our intelligence.

Well, I mean, you have an emotion, you want to express it. You don't just look in the camera and do it. You want to hide from the embarrassment of your brother saying you're not allowed to come into my town.

Love is the one emotion actors allow themselves to believe.