I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.

I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me.

I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.

It's all in how you arrange the thing... the careful balance of the design is the motion.

One's art goes as far and as deep as one's love goes.

To have all your life's work and to have them along the wall, it's like walking in with no clothes on. It's terrible.

Artists today think of everything they do as a work of art. It is important to forget about what you are doing - then a work of art may happen.

I can't work completely out of my imagination. I must put my foot in a bit of truth; and then I can fly free.

I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.

To be interested solely in technique would be a very superficial thing to me.

I love to study the many things that grow below the corn stalks and bring them back to the studio to study the color. If one could only catch that true color of nature - the very thought of it drives me mad.

It's a moment that I'm after, a fleeting moment, but not a frozen moment.

I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.

I surrendered to a world of my imagination, reenacting all those wonderful tales my father would read aloud to me. I became a very active reader, especially history and Shakespeare.

I dream a lot. I do more painting when I'm not painting. It's in the subconscious.

At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.

If you clean it up, get analytical, all the subtle joy and emotion you felt in the first place goes flying out the window.

I prefer winter and fall when you feel the bone structure of the landscape the loneliness of it the dead feeling of winter. Something waits beneath it the whole story doesnt show.

My pencil is like a fencer's foil.

I prefer winter and Fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.

The craft of painting has virtually disappeared. There is hardly anyone left who really possesses it. For evidence one has only to look at the painters of this century.

I don't know if it was the whole audience getting stoned out of their minds getting ready for the Floyd thing or what it was, but it was like playing to a painting.

Painting is just another way of keeping a diary.

I don't like painting flowers in my music. I like painting guts and pain.

Painting is a faith, and it imposes the duty to disregard public opinion.

If the weather is good I go into the nearby wood - there I am painting a small beech forest (in the sun) with a few conifers mixed in. This takes until 8 'o clock.

The paintings may communicate even better because people are lazy and they can look at a painting with less effort than they can read a poem.

Life is painting a picture, not doing a sum.

The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.

When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.

My movement from painting to film was a very conscious one.

I believe that painting should come through the avenues of meditation rather than the canals of action.

For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.

Coming to understand a painting or a symphony in an unfamiliar style, to recognize the work of an artist or school, to see or hear in new ways, is as cognitive an achievement as learning to read or write or add.

I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention.

Painting... in which the inner and the outer man are inseparable, transcends technique, transcends subject and moves into the realm of the inevitable.

When we don't have information, we go to the simplest outlook, to black and white. But then we have to lie to ourselves. Black is never as black as you're painting it and white is never as white.

I was not out to paint beautiful pictures; even painting good pictures was not important to me. I wanted only to help the truth burst forth.

Painting is a nail to which I fasten my ideas.

Painting is a hobby for me.

I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.

Good painting is the kind that looks like sculpture.

Well, I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new.

There are certain things in which mediocrity is not to be endured, such as poetry, music, painting, public speaking.

Landscape is to American painting what sex and psychoanalysis are to the American novel.

Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced.

I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.

I don't understand it. Jack will spend any amount of money to buy votes but he balks at investing a thousand dollars in a beautiful painting.

No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition.