Well, I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new.

I haven't sufficient interest in objects or anything I can see around me to do what Oldenburg does.

Well, I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new.

There's probably more in the American tradition than people give the place credit for.

And that Newman wasn't, and yet to me Pollock is just as radical and unlike Expressionism as Newman.

They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.

I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat the same environment and I have pretty strong reactions to what this country looks like. It looks pretty dull and spare, and you like this and dislike it and it's very complicated.

The attitude and capacity of the factory, the old metal table and the new ideas of the wooden furniture quickly and naturally suggested the possibility of metal furniture.

Well, its very exasperating when you can't get it right.

Well, in any art there are a lot of technical things that you can get to like.

But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment.

Stuart Davis has more to do with what the United States is like than Hopper.

Well, there's a morality in that you want your work to be good, I suppose.

Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot.

And then we moved to New Jersey and I went to the Art Students League.

Well, I don't think anyone now would say that they're painting the state of the culture of America. I think that's too grand and pompous a thing for anybody to claim.

Pollock looks unusual and radical even now.

I think most of the art now is involved with a denial of any kind of absolute morality, or general morality.

But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's very remote or it isn't. It's remote in my work but it has to have a certain degree of ordinariness.

I don't think geometric art is... I don't like to call it that. I don't think it's any more pure than pop art or anything else. It doesn't have anything to do with purity.

I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too.

Usually when someone says a thing is too simple, they're saying that certain familiar things aren't there, and they're seeing a couple maybe that are left, which they count as a couple, that's all.

You're only dealing with whatever you know, which is a very small part of it and later on it'll look like it has something to do with the period. Obviously, the artists have something to do with one another. They tend to set up certain common qualities among themselves.

Well, I think there are artists who are more or less contemporary with Hopper who are more relevant.

The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years.

After all, the work isn't the point; the piece is.

Tolstoy may not be showing that much of Russia at that time even. It's hard to tell. You tend to associate the quality of the period with what's lasted - what's still good. And that quality becomes the whole period.

Most art is fragile and some should be placed and never moved away.

I pay a lot of attention to how things are done and the whole activity of building something is interesting.

I think most of the best new work is intended to have much more impact at once.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

Feminism is hated because women are hated. Anti-feminism is a direct expression of misogyny; it is the political defense of women hating.

Control of vibrato helps your musical expression.

Art is an expression of who you are. Parts that I play are my sculptures.

If you have anything really valuable to contribute to the world it will come through the expression of your own personality, that single spark of divinity that sets you off and makes you different from every other living creature.

The early expression of my youth was filled with all the aspects of art.

In America it's live by the sword of freedom of expression and be will to die by it as well.

Love is the expression of one's values, the greatest reward you can earn for the moral qualities you have achieved in your character and person, the emotional price paid by one man for the joy he receives from the virtues of another.

The typewriting machine, when played with expression, is no more annoying than the piano when played by a sister or near relation.

I think they saw me as something like a deliverer, a way out. My means of expression, my music, was a way in which a lot of people wished they could express themselves and couldn't.

Simplicity is the glory of expression.

Nothing is so silly as the expression of a man who is being complimented.

Until fighting ends and there are conditions, which allow the free expression of will by the people, there can be no elections and elections are not held in these circumstances anywhere in the world.

The modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them, drawing and color are better or worse than in others.

The eye of genius has always a plaintive expression, and its natural language is pathos.

It is in literature that the concrete outlook of humanity receives its expression.

Well-timed silence is the most commanding expression.

Every gesture is a gesture from the blood, every expression a symbolic utterance... Everything is of the blood, of the senses.

But please know, whether you believe campaign contributions are speech or property, that I learned to love very dearly the right of free expression when I lived without that freedom for a while a long time ago.