The worst thing that you can do in terms of bringing a product up to the market is to be two days after someone else has brought a similar product to the international market-It's dead.

Any new producer starting up is to get investors' confidence. Investors are still very very wary of anything to do with the arts world.

Film is the most expensive, highest risk industry in the world.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

We probably do not have a large enough industry here to ably support the independent filmmaker to move in and out. Much of the industry is based on full-time jobs here, institutionalised jobs.

Video just accesses international information so much more readily.

All the arts are predominantly national, and therefore the Australian Film Commission should be funding us. The battle gets more and more vicious each year.

We are here predominantly to support independent filmmakers and their needs. We are also here to assist people actually in their production, non-commercial people in their production.

We are the only state that does not have a State Film Corporation there to support the commercial industry.

It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house.

The tensions are always based on financial resources. Something like film is very problematic because it is viewed as an art form and also as an industry with a pure commercial base.

We're under the Arts Council under the Minister for the Arts. The Minister for the Arts and the Minister for Industrial Development have great difficulty in agreeing over who should fund what in terms of film.

We are not yet at the point where our size, our being the drama industry, is sufficient to support full time professional crews, and that is very very important.

In 1975 Australia was producing things like Picnic at Hanging Rock, in other words films that I would consider still some of the finest products to come out of Australia. I think that our quality now is less than it was then.

I see any production of any nature being good for the development of the whole industry.

The existing documentary makers still believe that it is impossible to produce drama material in this State, otherwise they would be doing it, they say.

The dichotomy between art and industry is totally dysfunctional in terms of film.

The worst thing that you can do in terms of bringing a product up to the market is to be two days after someone else has brought a similar product to the international market-It's dead.

We discovered that there was a great deal of keen interest in America for the kinds of products that we thought could be produced here. Also there was an interest in Britain for Australian material generally.

I think the long-term effect of video on cinema is good in that what we are now getting up there on the screen is of superior quality. Videos are just so much more sensitive to the world.

You have always had individual directors who begin in the advertising or commercial world, but they are probably exceptions rather than the traditional pattern.

They will open up to what I would call corporate broadcastings where the non-commercial material will have air time. There's no possibility of that here right now, none.

Ten years ago I was not heavily involved in the film world but on reflection it was a boom time with the mineral boom happening, so there was immense growth for industrial training films, documentaries to do with the mining, and the outback world.

The British needlewoman follows blindly where the merchant leads.

Build into each budget the cost of hiring and don't lump yourself with capital investment.

The State Film Authority will be there for film as industry only, as is the case in all the other states, except Victoria. Victoria is moving more now into supporting non-commercial films.

Most independent filmmakers in Britain and North America work for commercial crews and then have their own projects when they've got enough money saved up to do so.

The tensions are always based on financial resources. Something like film is very problematic because it is viewed as an art form and also as an industry with a pure commercial base.

A strong mind is one of the key components that separates the great from the good.

My dad is an ob-gyn - he's retired now - and he wanted to come to the States to make a better life, for opportunity. My mom said that, on the plane ride here, I did not want to speak a word of English - I spoke Tagalog. And then, after the first day of school, I didn't want to speak anything but English.

I love 'Glee.'

That's a traditional Samoan dance. I was lucky that I was able to fly my cousins, who are professional dancers, up from Hawaii and they were able to be in the movie with me. We had a great time.

Some manufacturers illustrate their advertisements with abstract paintings. I would only do this if I wished to conceal from the reader what I was advertising.

My relationship with the Philharmonia Orchestra brought me many times to London and I will always reflect positively on that early period of development with them - their patience, their warmth, their dedication.

I love making movies, and being in any that I can be in. I'd like to be in those giant movies, as the fifth or sixth lead, and have three or four killer scenes. You don't have the responsibility of the entire movie being on you. I like those roles. I'm shooting for the middle.

Dont waste a minute not being happy. If one window closes run to the next window. Or break down a door.

Sometimes, and I hate to say it, you do feel things are asked for in the most ludicrously unrealistic fashion. The time you are expected to make things in, and the money you are expected to make them for - that is the death of creativity. Just because some things can be made very cheaply does not mean everything can be.

Every summer, I regret that I didn't become a college teacher. Such a sweet life! With all that vacation time! You'll never get me to believe that being a tenured professor at a good college is anything but Heaven on earth.

I am not embarrassed to tell you that I believe in miracles.

Most people treat the present moment as if it were an obstacle that they need to overcome. Since the present moment is life itself, it is an insane way to live.

Whatever your situation might be, set your mind to whatever you want to do and put a good attitude in it, and I believe that you can succeed. You are not going to get anywhere just sitting on your butt and moping around.

Every life of a character is within a context. If I write detached from a social and political background, my story looks like a soap opera where everybody is indoors, not working and living off their emotions.

Basically, all novelists should want to tell a story, and if they don't want to, they shouldn't be novelists. I think story-telling is important and underrated.

Nearly every notable event in 'Wake' has a date or a time stamp.

If we can make the correct diagnosis, the healing can begin. If we can't, both our personal health and our economy are doomed.

I think the federal government should be doing only what the Constitution says it should be. We don't have authority under the federal Constitution to have a big federal criminal justice system.

While we are postponing, life speeds by.

One fails forward toward success.

There is nothing more delightful than to scoop up a wild joey in your arms and smell the wind and eucalyptus in the coats of the gentle kangaroo or the deep earth smell of tiny wallabies. It is wonderful to see the trust in their eyes and the gradual realization that you mean them no harm.