Animation did not become the dominant form of children's television until the '60s.

I still don't know precisely why The Mickey Mouse Club ended when it did.

I'm saddened to see that some have been misled into believing that Mr. Disney was something other than a kind, caring man.

At the beginning of 1955 only about 60 percent of American homes had TVs.

Growing up in public is especially hard sometimes.

When you are young and healthy, it never occurs to you that in a single second your whole life could change.

I was not prepared to live as a single parent.

Of all the roles I've played, none has been as fulfilling as being a mother.

Whatever dreams I have wished have come true.

Whatever ambivalence I felt about my own career, Frankie more than made up for it with his ambition and tenacity.

Animation did not become the dominant form of children's television until the '60s.

Mr. Disney and his staff were constantly scouting for great stories to bring to life on film.

MS is not really a degenerative illness. It is not fatal, nor is it always progressive.

In 1993 my birthday present was a star on Hollywood's Walk of Fame.

Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.

My dear friend Jimmie Dodd was the heart and the soul of The Mickey Mouse Club.

The Lord has been with me throughout my life. He's never let me down.

Of the many guests we welcomed to the Mickey Mouse Club, my absolute favorites were the Lennon Sisters.

The mere thought of divorce terrified me. To me, divorce symbolized failure.

For me, the wheelchair symbolizes disability in a way a cane does not.

Mickey Mouse... is always there-he's part of my life. That really is something not everyone can call their claim to fame.

In the United States women develop MS at approximately twice the rate men do, and no one can explain why women are affected most often from the waist down.

Then, as now, the Disney studio buzzed with activity. You had a strong impression of being at the center of something very exciting.

As I grew older, I came to feel more responsible for any hardship or trouble my career caused my family.

I've always found Mr. Disney to be somewhat of a shy person, a kid at heart.

I have always thought of Walt Disney as my second father.

Dick Clark really didn't make rock 'n roll safe for America, as many people think.

Mr. Disney believed everyone was still a child deep inside.

As I travel across the country speaking about MS, perhaps I can offer others comfort and hope.

The original Mickey Mouse Club, established in the '30s, was designed to attract children to movie theaters.

Just learning that you have MS is such a devastating shock.

Most original viewers of the Mickey Mouse Club didn't face the crush of family and social problems children have today.

I always considered myself a dancer before anything else.

To some, the '50s were a decade marked by the banal, the predictable.

For me the wheelchair symbolizes disability in a way a cane does not.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

When The Simpsons came around, there really was nothing else like it on TV. It's hard to imagine, but when Fox first took the plunge with it, it was considered controversial to put animation on prime time.

But probably for the last ten years or so, I've been fitting in animation work into my other projects.

So many plays with magic in them that would be a terrific invitation to an imaginative animation team.

Animation scripts tend to be much more descriptive and are lighter on dialogue.

I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.

The success of The Simpsons really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.

I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.

We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.

The animation of the canvas is one of the hardest problems of painting.