So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

Early One Morning takes time and, I mean, all things like that I felt were very important.

But I don't think that sculpture belongs in everyday life like a table does, or like a chair.

So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

I got so I was really just sick of sculpture.

Good painting is the kind that looks like sculpture.

Art works because it appeals to certain faculties of the mind. Music depends on details of the auditory system, painting and sculpture on the visual system. Poetry and literature depend on language.

At a certain point, I just put the building and the art impulse together. I decided that building was a legitimate way to make sculpture.

When a finished work of 20th century sculpture is placed in an 18th century garden, it is absorbed by the ideal representation of the past, thus reinforcing political and social values that are no longer with us.

Moonlight is sculpture.

Some time ago, we went to Asia and took a camera along, and I began to do what I'd done even years ago doing people. I couldn't get interested in it. And I did hundreds of photographs of details of the monuments as sculpture.

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

Sculpture occupies the same space as your body.

Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe.

It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.

Colloquial poetry is to the real art as the barber's wax dummy is to sculpture.

Sculpture is made with two instruments and some supports and pretty air.

I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.

Sculpture occupies real space like we do... you walk around it and relate to it almost as another person or another object.

I express myself in sculpture since I am not a poet.

I'm quite sure that all true professional artists, of every description, in all walks of life, whether their craft is painting, music, sculpture, medicine or anything, have one primary concern - mankind.

When Socrates was about 30, and his father was long dead, he was still pursuing the art of sculpture, but from necessity, and without much inclination.

All my life as an artist I have asked myself: What pushes me continually to make sculpture? I have found the answer. art is an action against death. It is a denial of death.

Architecture is inhabited sculpture.

You wouldn't ask Rodin to make an ugly sculpture, or me to make a film with an ugly woman.

But I don't think that sculpture belongs in everyday life like a table does, or like a chair.

Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.

I tried to use the questions and answers as an armature on which to build a sculpture of genuine conversation.

Music, in performance, is a type of sculpture. The air in the performance is sculpted into something.

Well, what I'm doing is really clothing. I'm not doing sculpture.

Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.

A sculpture is just a painting cut out and stood up somewhere.

What sculpture is to a block of marble, education is to the soul.

Painting, sculpture and architecture are finished, but the art habit continues.

Sculpture is the best comment that a painter can make on painting.

In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.

Sculpture is the art of the hole and the lump.

My sculpture is very personal; for years my subjects were family and close, close friends.

Sculpture is the art of the intelligence.

Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.

Every model is a living sculpture - art in-vivo.

I had a natural feeling for sculpture, and the nudes are my sculpture.

I look at every piece of furniture and every object as an individual sculpture.

I paint - I tend more to abstraction - but not as much as I would like to because of time. I would love to do sculpture - I've toyed with the idea of fitting in a sculpture course.

I really became convinced I wanted to tell the story of the real-life model for the Degas sculpture 'Little Dancer Aged 14,' which was unveiled in 1881, the Belle Epoque.

I've been working in sculpture and painting since 1920.

Parks are works of art just as a painting or sculpture is.

Sculpture will last a lot longer than painting.