It was a particularly interesting and exciting time, and the European political and artistic establishment was turned on by the Civil Rights Movement and the artistic revolution that was becoming a part of jazz.

To some degree, yeah, because I have to play a certain number of originals that might be considered avant-garde material. I realize though, that only a few people in the audience actually know what that music is, or understand it.

So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.

Black music has become a commercial commodity. Live performances are not so accessible as they were previously. It use to be possible to go to the bar on the corner and hear music. It was available for a fifteen cent beer.

Yes, the audience is so important to Negro music, especially the element of call and response.

Negro music and culture are intrinsically improvisational, existential. Nothing is sacred. After a decade, a musical idea, no matter how innovative, is threatened.

And when I met Cecil Taylor it was a complete transformation of musical identities. All the tenets that I had grown up with were thrown out the window.

In America, for a brief time, people who followed Coltrane were studied and considered important, but it didn't last long. The result is that the kind of music I played in the '60's is completely dismissed in this country as a wrong turn, a suicidal effort.

In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.

Rap actually took root in the Negro community, and then in the Hispanic community, long before it impacted on the larger American community as a whole.

I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive.

So, I was just a young guy, maybe with an idea, and Cecil Taylor, himself a rebel, would take a chance on a guy like me. It turned out to be a very symbiotic partnership. I learned a lot from him.

You get a show where people are jumping up and dancing, but it's not a critical event in the sense of profound catharsis. Essentially it's celebratory.

It was a particularly interesting and exciting time, and the European political and artistic establishment was turned on by the Civil Rights Movement and the artistic revolution that was becoming a part of jazz.

A whole generation of young whites have involved themselves with traditional Negro music.

Today, music is visual.

In rap music even though the element of poetry is very strong so is the element of the drum the implication of the dance. Without the beat its commercial value would certainly be more tenuous.

I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961.

We support President Truman's civil rights program.

There are those who say to you - we are rushing this issue of civil rights. I say we are 172 years late.

A lot of things happened in a lot of places. And to see how well it was handled in Atlanta. There are a lot of reasons for Atlanta being a special town in the Civil Rights era.

He didn't even have the satisfaction of being killed for civil rights. it had to be some silly little Communist.

When it came to political power, blacks need not apply. Add to this steaming stew the growing tensions over the Vietnam War and the movement for civil rights, and you had plenty of elements to fire the imagination of a novice journalist.

Rarely in my 45 years as a civil rights lawyer have I been so angry about an injustice as I am about what happened to Billy Ray Johnson.

I'm a child of the Civil Rights Movement.

By 1962, King had become, by the media's reckoning, the new civil rights leader.

There is no contradiction between effective law enforcement and respect for civil and human rights. Dr. King did not stir us to move for our civil rights to have them taken away in these kinds of fashions.

The civil rights movement in the United States was about the same thing, about equality of treatment for all sections of the people, and that is precisely what our movement was about.

When the civil rights battle was won, all the Jews and hippies and artists were middle class white people and all the blacks were still poor. Materially, not much changed.

The South resented giving the Afro-American his freedom, the ballot box and the Civil Rights Law.

Eyes is the attempt to tell the story of the Civil Rights movement and to create an emotional, intellectual constituency. But what do you do after that? The black community doesn't have institutions that pick up such moments and preserve them.

It is distressing to me that we live in an age in which we still must fight to protect our civil rights as Americans, in which a hate crime perpetrated against someone based their sexual orientation can go unpunished, and in which discrimination is being written into our laws.

Nothing could be more insulting to me than the concept of civil rights. It means perpetual second-class citizenship for me and my kind.

When I started graduate school I was interested in the culture of the Civil Rights Movement.

That's what he was saying, the civil rights movement - judge me for my character, not how black my skin is, not how yellow my skin is, how short I am, how tall or fat or thin; It's by my character.

What drew me to both study and activism was the formative experience of the civil rights movement.

No one is immune from the larger events of his or her time - the Depression, World War II, civil rights, Vietnam, the spring of 1989 in China. These events intrude upon our lives and radically affect our directions.

I think the legacy of the civil rights movement is that now whites are more open to being represented by people of color or people who are women or, again, non-traditional candidates.

I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors.

At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.

Maya Angelou, the famous African American poet, historian, and civil rights activist who is hailed be many as one of the great voices of contemporary literature, believes a struggle only makes a person stronger.

My image had always been very heterosexual, very straight. So it was a nice experience for me, a chance to clarify my own feelings about gay and lesbian civil rights.

One of the biggest issues that we face is that we have people who have their own particular concerns, whether it's on abortion, birth control, divorce and remarriage, civil rights or social justice.

I had advocated the establishment of a Negro industrial commission. I had gestured against the growth of monopoly power. I had introduced a few civil rights bills.

A little less complaint and whining, and a little more dogged work and manly striving, would do us more credit than a thousand civil rights bills.

The Court today completes the process of converting Title VII of the Civil Rights Act of 1964 from a guarantee that race or sex will not be the basis for often will.

Mrs. Parks' act of brave defiance rocked the foundation of American society and inspired generations of civil rights leaders and created a sense of hope for every American facing legal discrimination in this country.

In college, I got interested in news because the world was coming apart. The civil rights movement, the antiwar movement, the women's right movement. That focused my radio ambitions toward news.

Well, it's the last step of the civil rights movement: You know, wrap your hands around some money, right?