The period right before punk rock where people like Lou Reed and Iggy Pop were really strong.

It was very interesting for me because DNA made music without much technical knowledge at all.

We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.

The period right before punk rock where people like Lou Reed and Iggy Pop were really strong.

To some extent at that time, we injected rock and roll into that scene- we played loud and that was a huge turning point for that scene. We were involved in playing with all those people.

The Lounge Lizards were relating with a tradition and it was like I was playing within a musical context. The guitar playing stood out as being different in some way. That was a real education for me.

Certainly since then many people have taken a lot of those ideas and ridden them for years and years and made careers out of them. Part of that is willingness to do the kind of work that I wasn't willing to do. Get into a van and cover the country.

We deliberately used elements from Brazilian music and from African and Asian music. Now people can hear that but then it sounded so abstract, they couldn't hear it.

There was some conflict there over Saturday nights because we were all really broke in those days- all the money you had in the world was in your pockets. Nowadays when you're say you're broke, it's not the same thing.

Then the early punk rock period with Television and the Ramones. That's what I loved- that's what I was listening to immediately prior to when I started to play.

I had friends in this band called Mars and they used to play a lot.

We recorded that trio and it's out on the Knitting Factory label. I've got another record in the can with that group and Marc, which I'll hopefully finish some time before next summer.

My parents were missionaries - I was born in the States but I grew up in Brazil.

I had this idea for a while to do mix this Al Green vibe with a samba thing. I tried to do that in many different ways. Peter added his own modern notion of funk and his own deep background in classical music.

We were interested in this notion of compression- a lot of the songs were really short so that you'd absorb them in memory rather than when you're actually hearing them.

It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place.

Playing with Kip I definitely learned a lot playing with these incredible guys and hearing them.

Years ago when DNA was going on, I produced a record in Italy but I didn't think I'd do another one.

It was a turning point in the sense that as a scene, we can up with a lot of new ideas.

I just had this notion that I wanted to do the most extreme thing I could and I also very consciously wanted to do something that was very different from Mars because we were all very close.

There was a generation of people who moved here to make something of themselves. They had to really struggle and created really something on their own apart from a lot of attention. It was a really exciting time here.

There is no executive order; there is no law that can require the American people to form a national community. This we must do as individuals and if we do it as individuals, there is no President of the United States who can veto that decision.

Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.

Many are needed to plant and water what has been planted now that the faith has spread so far and there are so many people... No matter who plants or waters, God gives no harvest unless what is planted is the faith of Peter and unless he agrees to his teachings.

DJs and people in the street know what they like.

People who keep stiff upper lips find that it's damn hard to smile.

Some people are directors and I think they should stay behind the camera.

We dominated Survivor - there is no way we would not dominate that, too. I can see it already, us making deals with people. That's the best part, and with the Race, it would be even more fun because I've got a lot of tricks up my sleeve.

I'm getting a wider circle of fans now. More women, more middle class people.

We must support initiatives that provide clear, concrete measures and milestones that our troops need for defeating the insurgency, building up Iraqi security forces, and handing over Iraq to the Iraqi people.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

Well concerning the world records that I did, I think it helps a lot to me, yeah. I think it's a very individual thing because I heard some people say, like, oh I don't like it at all. But I definitely, for me it really made a big difference.

My goal is, of course, for this show to do well, and I would love it if people liked it.

I hate wasting people's time.

Religions get lost as people do.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

The people of England are the most enthusiastic in the world.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

My theory is if you have a religion, it's a good one. Because some people don't have any at all.

It's sometimes shocking to find out what people really believe in.

That's Tommy, this great producer who comes in contact with people and must have a mental library of personnel who are great for this and great for that, and he brought this whole group of musicians to the project that I'd never worked with before.

Rock and rollers can get you the youth buzz, and younger people are fanatical readers.

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

I guess I strike people as very serious, or very intense.

My parents were amazing people who had no business being together - and they knew it.

Some people don't like competition because it makes them work harder, better.

I took Laura on a trip once where we followed the Immigrant Trail for about six hundred miles. She really learned a lesson. People forget too often how it was back then.

Don't underestimate the people. Let them decide.

I'm lucky enough that directors sometimes seek me out for little projects that people don't even know about, that just surface later on.