In or orchestra we have many nationalities, types, and temperaments.

Only when every one of us and every nation learns the secret of love for all mankind will the world become a great orchestra, following the beat of the Greatest Conductor of all.

In or orchestra we have many nationalities, types, and temperaments.

I often wonder if we could not solve the world's problems on a similar basis of harmony.

God exists since mathematics is consistent, and the Devil exists since we cannot prove it.

I was raised Catholic, and I have an aversion to anyone who takes religion to the extreme.

And if that's what the American people want, then that's what the policy should be, of course. But the idea that anything in the United States is too sensitive to discuss or too dangerous to discuss is really, I think, absurd.

I am a capitalist and I believe in making a profit.

I am not comfortable walking the ramp for just any designer. I am particular about who I associate with.

Hollywood is showing respect for all different types of art.

If you would have a good wife, marry one who has been a good daughter.

We must never assume that which is incapable of proof.

Don't rule out working with your hands. It does not preclude using your head.

Among these temples there is one which far surpasses all the rest, whose grandeur of architectural details no human tongue is able to describe; for within its precincts, surrounded by a lofty wall, there is room enough for a town of five hundred families.

So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

The critical method which denies literary modernity would appear - and even, in certain respects, would be - the most modern of critical movements.

Universal coverage, not medical technology, is the foundation of any caring health care system.

A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.

I love touching. I always touch people.

I don't worry about numbers. I worry about wins. You can see all the years that my numbers went down and how many championships I've got. That's what I worry about.

When I first started as an editorial cartoonist, I was terrified on a daily basis. Filling that hole the next day, knowing that tens of thousands of people were going to expect something funny. There is still that pressure, but you kind of learn how to cope with it a little better.

Disappointment is really just a term for our refusal to look on the bright side.

The good thing about acting is that it always keeps you on your toes... It's not like any other job where you can go in and do the same thing as yesterday.

I was so naive in radio technique that I knew nothing about timing. I would write pages on Honus Wagner and then get only half through by the time the show ended. I eventually learned, but there was nobody there to school me.

When I perform Strauss, it is as if the music fits me like a glove. My voice seems to lie in a happy area in this music, which is lyrical and passionate at the same time.

To me, an Oscar movie has to have some type of emotional pull.

I think we live in a unique time - the verbs that make up our online and mobile lives haven't been completely invented or imagined for us. That was kind of a life path I was on.

You wonder why I only talk about my personal life. But that's all I've ever done.