Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.

I use a retouching varnish which is made in France, Libert, and that's all the varnish I use.

There is a sort of elation about sunlight on the upper part of a house.

Maybe I am not very human - what I wanted to do was to paint sunlight on the side of a house.

In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.

The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.

No amount of skillful invention can replace the essential element of imagination.

My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.

After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.

If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.

The question of the value of nationality in art is perhaps unsolvable.

What I wanted to do was to paint sunlight on the side of a house.

If you could say it in words there would be no reason to paint.

If I had the energy, I would have done it all over the county.

Well, I have a very simple method of painting.

More of me comes out when I improvise.

I have tried to present my sensations in what is the most congenial and impressive form possible to me.

I trust Winsor and Newton and I paint directly upon it.

Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.

I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions.

Well, I've always been interested in approaching a big city in a train, and I can't exactly describe the sensations, but they're entirely human and perhaps have nothing to do with aesthetics.

Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world.

In general it can be said that a nation's art is greatest when it most reflects the character of its people.

I find linseed oil and white lead the most satisfactory mediums.

I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds.

I think that zinc white has a property of scaling and cracking.

It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method.

The only real influence I've ever had was myself.

If the picture needs varnishing later, I allow a restorer to do that, if there's any restoring necessary.

There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions.

Great art is the outward expression of an inner life in the artist and this inner life will result in his personal vision of the world.

The learning process continues until the day you die.

Detach yourself from all that makes your mind restless. Renounce all that disturbs its peace. If you want peace, deserve it. By being a slave to your desires and fears, you disturb peace.

And we reduce almost all male-female problems by working on both the female and the male. And that usually means having both sexes take responsibility.

Men, all men, were always trying to get hold of me, you know.

I have had my genome fully sequenced and have learned a great deal about which medications I would respond to and which might or would induce major side effects, along with knowing many medical conditions for which I'm particularly susceptible.

I don't dislike the process of animation... I find it daunting, but only as much as I find everything daunting.

Art is merely the refuge which the ingenious have invented, when they were supplied with food and women, to escape the tediousness of life.

We're here to live. We're here to do, we're here to be.

In Japan, sometimes it's hard to know what you are looking at.

Castro always used the boxers as a symbolic war against American values to demonstrate that they fight for something more than money.

Practically speaking, your religion is the story you tell about your life.

This thing called the camera, that takes everything in equally, taught me a lot about how to see.

FDR had a certain charisma, at least in his first term, with the big grin, the cigarette holder at a jaunty angle, and the battered hat on his imposing head, but no other American president since then has had it except JFK - indeed, some of them have been positively anti-charismatic, like Gerald Ford, Carter, and the Bushes.

Because of you I am me.

I make the songs and part of making them is singing them. But what you hear is not me. It's the song. It's through me.

Once you've found something you know how to do, it makes you feel you don't have to be intimidated by someone.

The war years were the most difficult time of my life. There was real famine in Moscow. The water froze inside the houses. There was no heat.

When Delaware State University was founded in 1890, it was not by choice, but by social reality.