I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever.

When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.

You have a movie and it proves itself and then certain things happen.

Some actors are supposed to be very difficult, but I've not found that to be the situation.

I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.

The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.

It's finding those nonsensical pieces of conversation that we all do all the time. We do all the time. When we're talking on the telephone, there are arguments with people who agree when they both think that they disagree.

First of all, just to get Diner made would have been an achievement in that I got a chance to direct.

I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever.

A lot of time mistakes are very interesting - you look for the behaviour that's not the one you expect.

Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.

It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right.

I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that.

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.

I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.

Well it was sent to me, well because almost everything that is written in Baltimore is sent to me. And David Simon, who was a writer for the Baltimore Sun, spent one year following the homicide squad in Baltimore and he chronicled that period of time.

All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me.

I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.

They're intimidating the networks and levying these fines, so the networks are not sure of what they can or can't do.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.

Silence is the sure sign that you're on your way out in Hollywood.

What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.

If you can believe it, Hollywood wanted to change my birthdate. I was born after Valentine's Day, so they wanted to change it to February 14. A Latin lover should be born on Valentine's Day. I said no.

In Hollywood if you are not working, you are a leper. True, you are probably living in the most expensive leper colony in the world.

There are plenty of lesbians in Hollywood, but they're not out. And that's their choice, but I can't do that, it's too important to me.

After 13 years of life on the half shell in Hollywood, I have made a trip where I wasn't a tourist.

What's really exciting for me is communicating to other people and not just going somewhere to make a movie. That's Hollywood to me and it would mean nothing.

No one has a closest friend in Hollywood.

I had been offered a Hollywood contract before my 18th birthday. It gave me the spark I needed.

Acting coaches in Hollywood were always telling me to use my hands and body more. But that was never me. I just breathe and sometimes it doesn't look as if I'm doing that.

Hollywood is a place where a man can get stabbed in the back while climbing a ladder.

This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood.