Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.

It's a tough thing to know that when you're making your album, you're going to end up collaborating with, say, Wal-Mart, on your artwork. That just sucks. And the pressure behind getting the numbers real fast is, to me, dizzying.

A lot of 18-year-olds are like old men. They think they've seen everything.

Everybody knows it hurts to grow up... and we're still fighting it.

Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.

I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.

The clock never stops, never stops, never waits. We're growing old. It's getting late.

You never know when you put out an album that's unique whether it'll get beat up for it or not.

I'm older than I was, and I'm still washed-up, and I haven't changed my music one iota. It's just much easier to do this when people are being nice to you.

Rock and roll is - and should be - a kid's place.

Now that I have found someone, I'm feeling more alone... than I ever have before.

Because I write very simply, but inside the simplicity, there's a lot of subtlety. That's what I'm proud of.

Billy Joel and Joe Jackson were both great, and they both play piano.

But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that's the center of it, that is it. It's almost like there's something church-like about it and you gotta go back there, if you're a songwriter that sings your material.

Everyone, when you're a teenager and you're growing up, you do feel like your life is dramatic enough to be on a TV screen, but we know that it's not.

I do have that mindset - that most good art comes from some turmoil, from someone trying to come to some equilibrium, or come up and get a breath.

I'm aware that I'm very fringe, and it's nice that way.

I'm not really a strange person or anything, so if there's music I like, usually there's other people who like it too.

I'm really good at writing 'almost hits'.

Maybe this is wrong, but I feel like I craft my songs carefully enough that I still find that fifteen years after having written one, it still works for me - I'm not cringing.

My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.

My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.

The nature of honesty is that if someone has information or knows something about you that you don't want heard, then they have power over you.

The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.

There is still some art in pop music. But it can't happen if you're not inspired.

Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.

With the a cappella groups, every voice is like one string on a guitar, one note on the piano, or one cymbal, and you don't have the luxury of falling back on anything.

Smile like you've got nothing to prove.

I could probably live in Bali the rest of my life and completely live in the sticks and have a fking moped and make a record every couple of years and not step in public and break even like I do anyway. Thats really tempting.

The clock never stops never stops never waits. Were growing old. Its getting late.

I love you more than I have ever found a way to say to you.

Notes don't make music until you learn to insert silence between them.

If you're afraid they might discover your redneck past, there are a hundred ways to cover your redneck past.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

I mean the only thing that is hopefully good about us is after the arguments we can actually still face each other the next day or the day after and talk about something else and sort of get over it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I want to have babies one day but not right now. When I do it I want to do it really well. I want it to be my best project in life.

I think I've become a much better singer and a much better player. Years and years of playing a couple of hours every day will do that.

I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

George Pal had total control, and he was there on the set every day. You never met a more charming man in your entire lifetime - what a lovely gentleman.

I'll tell you what I did need to learn was tolerance, and I think I've been actually given a daily opportunity to practice that, and it's - it's - and I know that that sounds almost like a backhanded slap, and it is in a way because I haven't been successful at it every day.

Since the beginning, I always loved the game. When you grow up in Montreal, one day you want to be a professional hockey player. When I was six or seven, I knew that was what I wanted.

Depending on what day of the week it is and what time of the month it is, I'm a good friend or not a good friend. I'm more or less a good mom or not a good mom, more or less a good mate or not a good mate. That's just life, whether or not you're public.

Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.