I think that after a year of Portishead I've become a little more sober.

You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.

Let's get one thing straight: there's no such thing as the Bristol sound.

I thought I had a clear picture of death, but now I know it's a mystery and it will always be a mystery, although it is something we all have in common: everybody knows that life ends with death.

Most of the lyrics are over a year old, and it doesn't feel like it's about me. Time created a distance.

The music comes first. When Geoff has made something the inspiration comes automatically. His music is very expressive. But still is is a very difficult process: I have to add something to his music, not push it away. It has to be equal, and I find that very difficult.

I've had a wordless phase, and that's still not entirely over: what I sing is not always literally meant that way, and you can hear that in the way it is sung.

There's not only emotion in the way you sing but also in what you sing. That way I can compensate it.

We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.

I am a very sensitive person, very impulsive and emotional.

I still don't like doing interviews. I hardly do any... I hope this will be the last one for a long while.

I think that after a year of Portishead I've become a little more sober.

I try to imagine how we would live if we didn't know we were going to die. Would we live our lives differently? Less careful, maybe? Less scared? These are beautiful things to think about and build a song around.

I've just put my heart and soul in a song and need at least a week to recover.

Stick to your instincts.

When leaves turn bright colors in the fall they make one last effort to compete with the flowers.

A short, glorious life in service of a greater good - say, the life of the Spartans at Thermopylae, or the pilots in the Battle of Britain, of whom Winston Churchill said 'Never have so many owed so much to so few,' - that is worth praising. But for glory alone? I think not.

I'm actually thinking about maybe, on a spacewalk, not wearing my glasses. I normally wear those both for reading and a little bit of a distance correction, but the distance vision seems like it's gotten a little bit better. So I might go without.

What's funny about the slacker thing, people project an image of what they think a musician is: young, slack, unemployed - like a really romantic idea of a poet, writer or musician - which isn't really true a lot of the time. I don't reckon you would know anything about me if I wasn't moderately hard-working.

I deplore the shying away that can go on, within women, from the term 'feminist.' I am, absolutely, all about being a feminist.

The tenth amendment said the federal government is supposed to only have powers that were explicitly given in the Constitution. I think the federal government's gone way beyond that. The Constitution never said that you could have a Federal Reserve that would have $2.8 trillion in assets. We've gotten out of control.

Life is a difficult game. You can win it only by retaining your birthright to be a person.

Personal life becomes paler as the imaginative life becomes richer.

The most vulgar slang is scarcely worse than the attempted elegance which those unused to good society imagine to be the evidence of cultivation.

In Scotland, beautiful as it is, it was always raining. Even when it wasn't raining, it was about to rain, or had just rained. It's a very angry sky.

If you want a great replacement, like, who can follow Barack and still have that swag, that charisma, that charm and be historic - I think it would be Tina Fey for president.

This is so dumb - once time I spray-tanned before a race, and I didn't shower, and I sweated the whole thing off on my car. It was so bad, I told a fan I would never do it again.

I see a lot of patterns in our behavior as a nation that parallel a lot of other historical processes.

I think segregation is bad, I think it's wrong, it's immoral. I'd fight against it with every breath in my body, but you don't need to sit next to a white person to learn how to read and write. The NAACP needs to say that.

There are times when I've had ideas walking down the street that I thought were great, and the minute I got onstage, I would think of them and go, 'Wow, that would never work,' even before I did it in front of the audience.

California is going to be quite good for the Democrats. But the rest of the country is a draw.

I have three sons, and the oldest wants to play pirates all the time. It has all these associations of living some kind of very free life. It's interesting for me as a filmmaker to show a whole different side of that.

Modern science tells us that the conscious self arises from a purely physical brain. We do not have immaterial souls.

I was very shy - I didn't speak to anyone outside of my family until the fourth grade.

I typically don't get into predicting the success of my projects. I've been involved with a lot of projects that I thought should have really gained notoriety and furthered my career, only to be met with the cold grasp of disappointment. So I typically stay away from predicting how a film will do.

I still cook at home. A lot of chefs I think don't cook at home. But I still do, I love cooking at home, I love having friends.

This land this water this air this planet this is our legacy to our young.

I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.