It was kind of enlightening to become a playwright.

I did write a couple of original screenplays, but I'd rather write plays.

But here's the thing: what you do as a screenwriter is you sell your copyright. As a novelist, as a poet, as a playwright, you maintain your copyright.

Then, when I was a senior in high school, I was kind of bereft and she put me in an acting class.

It's called Sisters of the Winter Madrigal. It was interesting for me to see it done after so many years; because I wrote it and I didn't realize what a rage I was in.

I love writing for the screen.

Somehow I got to be one of five or six actors that the directors would use as guinea pigs at this directing colloquium, where people pay to listen to and watch the directors direct.

I was just restless with being in school; so I went out to Los Angeles.

What I loved about the acting class was that you got to think all day long about a person that wasn't you, and figure out why they were sad and what they wanted, what they dreamed.

Then I went off to Southern Methodist University in Dallas. They had a really wonderful theatre department.

My fault now is making my plays too short.

I tried to start a theatre in LA and failed miserably, but I was probably not meant to raise money.

The next thing I wrote was in a writing class at night school. It was about a poor woman who worked at a dime store and who was all alone for Christmas in Laurel, Mississippi.

I just loved being divorced from my own wretchedness.

It was kind of enlightening to become a playwright.

In movement class, you had to lie on the floor and get your alignment in to pass the class.

The most glorious thing about working in the collaborative art is when you have somebody like Susan Kingsley or Kathy Bates who are better than your play.

You can't just go in there and open your mouth until the cast and director feel comfortable with you.

Part of that is that New York has proved to be too much fun for me to live and work; I love New York so much.

Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.

That was always my inclination, to start on a new play before the other one gets done, because at least you'll have something to go back to if that play gets trashed.

Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.

My first few plays took place in the South and even The Lucky Spot was in the thirties but in Louisiana.

It's really interesting that whenever you do something that is so out of character, like having an emotional outburst, that you don't get in trouble.

I grew up in Jackson, Mississippi, really in suburbia, so my mother was in community theatre plays.

The impetus behind going to graduate school was a year after graduating from college spent in Dallas working at the dog food factory and Bank America and not having met success in my chosen field, which at that point was being an actress.

I'm very into the first production of the show.

That it will never come again is what makes life so sweet.

I always read the translator's draft all the way through - a very laborious business.

Once, I went speeding past an old couple and smiled as I imagined their conversation: him grumbling about me and her telling him not to be such an old grouch. Then, suddenly I was in tears, thinking, 'I'll never get to be a grumpy old grandpa!'

I wish that my life could be like the movies, like 'Bonnie and Clyde' or 'The Hunger' or 'Harold and Maude.' And... it can be! It maybe just takes somebody else who is as fearless as you. It takes a person who will not hesitate.

Unhappiness is not knowing what we want and killing ourselves to get it.

The revival of the Right is as extraordinary as it would be if the public had demanded dozens of new nuclear plants in the days after the Three Mile Island disaster; if we had reacted to Watergate by making Richard Nixon a national hero.

I think we fool ourselves and really negate a great deal of history if we think that the oral history of poetry is shorter than the written history of poetry. It's not true. Poetry has a longer oral tradition than it does written.

I had a project called 'Cover Art,' which was the first project I did under the new name Anderson .Paak. I went through this process where I was recording new music for about six months straight.

I say that Pakistanis should not consider girls as weaklings.

To love our nothingness we must love everything in us that the proud man loves when he loves himself. But we must love it all for exactly the opposite reason.

A husband is what is left of a lover, after the nerve has been extracted.

What would the world be, once bereft Of wet and wildness? Let them be left, O let them be left, wildness and wet, Long live the weeds and the wildness yet.

Great Karma additionally interprets into great well being. At the point when an individual has a cheerful and delighted viewpoint in life, this will just add to the wellbeing of his or her wellbeing condition.

Chocolate makes everyone smile even bankers.

Radicals are only to be feared when you try to suppress them. You must demonstrate that you will use the best of what they offer.

Good design to me is both appearance and functionality together. It's the experience that makes it good design.

Beauty is an outward gift which is seldom despised, except by those to whom it has been refused.

A solid giggle should do the trick.

The eye tells what the tongue would hide.

You grow up in America and you're told from day one, 'This is the land of opportunity.' That everybody has an equal chance to make it in this country. And then you look at places like Harlem, and you say, 'That is absolutely a lie.'

I refuse to totally grow up. I've always been someone who says and does things that push politically correct boundaries.

The British, and most European countries, have struggled to accommodate Muslim immigrants, but they have nevertheless welcomed them in large numbers.