Thirty years ago, we were in a movie theater and thought it was so cool because we were finally delivered from the horrors of stained glass and wooden pews.

I look at tens of thousands of church leaders who still do need a bit of an awakening.

Visionary people face the same problems everyone else faces; but rather than get paralyzed by their problems, visionaries immediately commit themselves to finding a solution.

Those churches have closed down or have been merged with a church that has a more positive vision.

It takes a great deal of courage to follow another person's lead.

God wants to father all of us until we're dead sure of his approval, his guiding power and his promise of heaven.

I hate thinking about it, teaching about it, and writing about it. But the plain truth is that hell is real and real people go there for eternity.

More than anything, people want the reality of the discussion at hand. If what is going on in that building is the real thing, if the transforming love and power of Jesus Christ is being experienced, you can sit on a metal folding chair or in a plush theater seat.

He's dangerous because when God talks to him Bob will do whatever God asks him to do at great cost, even if no one agrees, if it's contrary to the way the stream is going, if Bob feels God is in it he will do it.

The real deal is always going to win in the end.

Ten years ago, 15 years ago, I think the church would have been asleep at the switch. This level of activism and engagement with the needs of society by local churches I never thought I'd see it in my lifetime.

Thirty years ago, we were in a movie theater and thought it was so cool because we were finally delivered from the horrors of stained glass and wooden pews.

Dignity does not float down from heaven it cannot be purchased nor manufactured. It is a reward reserved for those who labor with diligence.

Adoration in prayer reminds us of God's identity and inclination. As we list his attributes, lifting up his character and personality, we reinforce our understanding of who he is.

Adoration in prayer purges our spirit and prepares us to listen to God.

Vision is the most powerful weapon in the leader's arsenal.

Enjoy every single day you get to lead because it will be over in a blink.

Coaching is the most important servant leadership element in helping people accomplish their goals.

Its incredible to realize that what we do each day has meaning in the big picture of Gods plan.

It's incredible to realize that what we do each day has meaning in the big picture of God's plan.

Self awareness allows you to self correct.

Storms draw something out of us that calm seas don't.

The workaholic maintains a frantic schedule. He is consistently preoccupied with performance. He finds it difficult to refuse additional responsibilities. He is unable to relax. If someone you know exhibits these characteristics, he or she is probably a workaholic.

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

To do theater you need to block off a hunk of time.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I'm the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.

Do what you love to do and give it your very best. Whether it's business or baseball, or the theater, or any field. If you don't love what you're doing and you can't give it your best, get out of it. Life is too short. You'll be an old man before you know it.

Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.

I love making people laugh. It's an addiction and it's probably dysfunctional, but I am addicted to it and there's no greater pleasure for me than sitting in a theater and feeling a lot of people losing control of themselves.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

Sheer flattery got me into the theater. Flattery always works with me, particularly the flattery of women.

Actually, I didn't like Dartmouth very much, but the whole theater scene I really liked.

I think the cinema you like has more to do with silence, and the theater you like has more to do with language.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

In the theater, characters have to cut the umbilical cord from the writer and talk in their own voices.

You have to transmit to them what it's like being in the theater. And it has to come from somewhere inside you and not by being like what somebody did last year.

Unless an entire row of people got up in the middle of a performance and left the theater in disgust, I felt as though I hadn't done my job.

I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.

The drama may be called that part of theatrical art which lends itself most readily to intellectual discussion: what is left is theater.

And I'm in favor of that because I have a gay son, who's a very successful theater designer.

Characters are an extreme form in Shakespeare's theater.

I started acting when I was 10, doing musical theater. I was a brunette at that time. I was always cast in all the exotic parts.

I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.

I really would rather have gone to New York, since all my training had been in theater, but I didn't have the guts to go there alone. I knew only one person in New York, and that was a man. What I needed was a woman. That's the way Southern girls thought.

I've always just gone with the best role, and I don't care if it's in theater, film or television.

Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.

I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.