I'm also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.

I'm very lucky to work in so many different arenas of the entertainment industry and I do enjoy them all, but making music - original music - in the studio or live onstage is definitely my favorite thing to do.

And of course, I absolutely loved making Lost in Space as a kid.

I have great respect for directors who know what they're doing.

Anyway, in the mid 80's I was spending a fortune buying old Golden Age books from the late 30's and 40's and I was making personal appearances at a lot of sci fi and comic book conventions all around the country here so that I could find books for my collection.

I was doing Babylon 5 season two and I was in all 22 episodes of that.

I get bored doing one thing only. I've been very lucky to explore a lot of different artistic territory and I don't see why I won't continue on that path.

From the age of four, I was a huge comic fan and still am. When Lost in Space came along it was like being in a huge comic so we jumped at the chance of being part of that project and it proved to be a good choice.

I really think the acoustics that Gibson's been making for the last ten years or so are as good as any the company has ever produced and that's saying a lot.

Babylon 5 is probably the biggest, most ambitious television science fiction series ever made. It's one big novel told over five years with 110 different stories told within it.

I'm narrating the television series Biography. I'm still involved in my music - I have a new album out. I have an animated project in development. I'm writing a lot of things and you never know if one of them is going to become a six or seven year project.

Memorizing dialogue has always come easy and quickly to me. My wife Eileen is also very helpful. She gives me choices, and asks me questions, and runs my lines with me.

Well, I've been a big fan of comic books since I was a little kid. In fact, I used to write and draw my own comic books when I was on the old Lost in Space series.

Personally, I don't think the film and television industries are run as well as they used to be. Oh sure, we've got great digital effects now but... where are the visionaries?

I have about 50 guitars around the house. I can't take more than a few steps without finding one to pick up.

I walk my dogs. I garden a little. I play a bit of tennis. Basically when I have spare time I'm making music.

Well, I just finished starring in a new episode of the new The Twilight Zone television series.

It got to the point in the late 70s and early 80s that I was spending so much money buying golden age comics that I could only justify it if I got work in the media.

I'm also performing regularly in Southern California with two bands. As a solo artist doing acoustic sets and a member of the Jenerators, my rock n roll band that has been around for a long time now.

I bugged my mom and dad to 'get me inside the television set' when I was about four years old.

I did three of the original 'Twilight Zone' episodes, yes. Also, I did a little thing in the feature film, and then I wrote one of the episodes in 'The Twilight Zone's last round where I starred with Cloris Leachman and my daughter Liliana in a true sequel to 'It's a Good Life.' So, yes, I have a good 'Twilight Zone' alumni jacket.

I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my trailer listening to their records that they would bring.

I started playing the guitar when we started filming the pilot to 'Lost in Space,' which was way back in December of 1964, and there's a little bit in the pilot that was used in the first season where Will Robinson is sitting around some bad foam rubber rock playing and singing 'Greensleeves.'

I think 'Lost in Space' certainly shifted from being an ensemble adventure series about a family facing the unknown alien environment to this trio of comedians - Dr. Smith, the Robot, and Will Robinson being the straight guy. It definitely changed its tone over the three seasons and 84 episodes we did.

I was in Redwood for almost six years. It was an acoustic trio that I still think was the best band I've ever been a part of. We do have a double CD of the Redwood stuff available called 'Lost But Not Really.' I'm very proud of the old Redwood stuff.

Being a cover artist is not like being a real artist. That's just copying what someone else did.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.

I'm inspired by nature. Other artist's work is important for developing my perception.

There is only one position for an artist anywhere; and that is upright.

The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

What do you say when someone has truly inspired you? How do you express to an artist how deeply their work has affected you?

An original artist is unable to copy. So he has only to copy in order to be original.

When I say artist I mean the man who is building things - creating molding the earth - whether it be the plains of the west - or the iron ore of Penn. It's all a big game of construction - some with a brush - some with a shovel - some choose a pen.

You have to find what makes you stable in the storm. Then, no matter what's happening round you, no matter what the hype or the publicity, you can still manage to make leaps in your work as an artist.

The key to the mystery of a great artist is that for reasons unknown, he will give away his energies and his life just to make sure that one note follows another... and leaves us with the feeling that something is right in the world.

I've always felt that if one was going to take seriously this vocation as an artist, you have to get beyond that decorative facade.

Art is a private thing, the artist makes it for himself; a comprehensible work is the product of a journalist. We need works that are strong, straight, precise, and forever beyond understanding.

The most colorful section of a bookstore is the display of SF books, with art by people like Wayne Barlow, who is a terrific artist.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Let not a man do what his sense of right bids him not to do, nor desire what it forbids him to desire. This is sufficient. The skillful artist will not alter his measures for the sake of a stupid workman.

I so much appreciate it when anybody tries to make something and tries to be an artist - I'm happy to see the work.

The artist is seen like a producer of commodities, like a factory that turns our refrigerators.

I've also been willing to share any help that I could give to any other artist.

An artist, under pain of oblivion, must have confidence in himself, and listen only to his real master: Nature.

What is it they want from the man that they didn't get from the work? What do they expect? What is there left when he's done with his work, what's any artist but the dregs of his work, the human shambles that follows it around?

No artist work is so high, so noble, so grand, so enduring, so important for all time, as the making of character is a child.