Nothing is really media driven or committee driven, so you can actually just produce something.

I still love a lot of the guys who just paint.

I wanted to be complete, because I figured that, visually, there was an avenue to explore with painted stuff.

People who can pull you in and take you on a journey, as opposed to simply adding flash. Again, that feels very clinical, and I don't respond to that the way I used to.

Comics are really my life blood in a lot of respects.

Nothing is really media driven or committee driven, so you can actually just produce something.

If somebody can inspire me, it feels really special.

And I've never viewed comics as assignments for the client.

So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration.

For a while I felt very alone; sort of out there in the world of comics, especially here in the States.

There is a whole generation of people who are going to see movies or watch TV who don't want to work.

So much of Jaws was amazing because the mind filled in what was missing.

You're telling the story, creating the sets, doing the lighting, the designing, and establishing the pace.

To me, that's one of the things that I love about doing this stuff. One day I can work on this piece in watercolor, and then work on something else on the computer, or work on something else that's a completely different approach.

But if I really want to produce my own work and tell stories, then I will.

So, when the special effects are at the service of the story and draw you into it, that is really the magic.

I want to say 90% of stuff out there is just crap that got made. The main point is that it got produced.

I wanted to learn how to paint rather than just doing black-and-white work.

It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creator. Even what, in essence, may be a very safe corporate approach, there is some stuff that is allowed to be pushed.

So there's kind of a simultaneous aspect to pushing the boundaries, and being very safe.

And that, to me, is the main attraction to comics. It's an avenue to say what you want to say.

I was lucky enough to be given books that weren't top sellers; books that were kind of under the radar.

One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.

I didn't want to feel constrained, so I took on the Mutants.

To me, the technique was almost irrelevant; it was what was coming across.

But I'm aware of the fact that I'm working in a commercial venue where I'm producing something that I wouldn't normally be approaching the way I'm doing it.

So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in terms of what I want to say with it is a little different.

Kyle Baker's work is really funny, but it's also got a very clear vision.

But there's still an avenue for smaller comics and personal expression.

But with comics you're reading and assimilating an image simultaneously, instead of just reading or watching the tube.

After that I jumped, especially being in art school, to the illustrators.

Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.

Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.

Cartooning is an honorable thing.

Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story.

If you're going to establish a certain level of unreality than you have to deal with it.

That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.

So much of 'Jaws' was amazing because the mind filled in what was missing.

And yes, there's a simplicity to writing books because you're not a member of a team, so you make all the decisions yourself instead of deferring to a committee.

One of the great joys this year and the year before has been how all of the people in this body, men and women, Republicans and Democrats, have worked together so well with our chairman and the chairman of the full committee to address the issues of housing for our soldiers.

If the many allegations made to this date are true, then the burglars who broke into the headquarters of the Democratic National Committee at the Watergate were, in effect, breaking into the home of every citizen.

Obama's health care plan will be written by a committee whose head, John Conyers, says he doesn't understand it. It'll be passed by Congress that has not read it, signed by a president who smokes, funded by a Treasury chief who didn't pay his taxes, overseen by a Surgeon General who is obese, and financed by a country that's nearly broke. What could possibly go wrong?

Our greatest privilege and responsibility as leaders of the House Committee on Veterans' Affairs is to provide our veterans with a system that cares for their wounds and ensures that they have an opportunity to succeed.

To do so, we are creating a Fairness for Switzerland Committee that will not only disseminate some of the facts, but also protect a relationship that is important to all of us in North America.

If I were John Bolton, I'd take great consolation in the words of my principal supporter on the committee, who gave a ringing endorsement, which was, There is no evidence that he has broken any laws.

I am persuaded, that if any attempt is made to improve the education of the poor, and such an unmanly spirit should guide the resolution of a society or committee for that purpose, it would render the design abortive.

Madam Speaker, I have spent more than half my life as a member of the Resources Committee. In that time I have supported numerous wilderness designations. In fact, I cannot recall ever opposing a wilderness bill.

The SSRC committee turned attention from team research for building a model of the United States to doing one for world trade in order to investigate the international transmission mechanism.

There were no gifts. Everything is properly accounted for. I provided testimony and evidence to the committee... This was all stuff that was previously known.