An isolationist America is no bloody use to anyone.

An isolationist America is no bloody use to anyone.

I was in a little punk band and we put out a few punk records that weren't very political, at all.

So, in some ways, the political songs tend to be a bit more like reportage, whereas the love songs tend to be like novels, you can pick them up off the shelf and go into them any time.

I'm still batting away on my politics for the Labour Party. I'm much further to the left of them than I used to be, but that's because they've moved, not me.

But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.

It's not a very popular subject amongst my audience, who are by nature more internationalist, but I don't choose what to write about, I don't choose my subjects, they kind of choose me.

Being spokesman for a generation is the worst job I ever had.

Were it not for the Clash, punk would have been just a sneer, a safety pin and a pair of bondage trousers.

There are quite a few honest songwriters out there writing about relationships and their own personality traits. But for some reason, once they step out of the bedroom, their honesty doesn't seem to come with them.

All the great political music was made at the height of political confrontations.

The most important thing for anyone, I think, is to be engaged, whether you're an artist or a journalist is to be engaged in the process at some level.

I'm trying to make a case for those people who don't have a sense of belonging that they should have, that there is something really worthwhile in having a sense of belonging, and recasting and looking at our modern history.

I came into this whole business by going to see Rock Against Racism gigs with the Clash.

That taught me one lesson which is that you're naive to believe that bands can change the world. Bands are very naive to think that just if their audience thinks that they can change the world, that they can. That was quite a lesson for my career, really.

Even with politics, stuff comes around again. Woody Guthrie would recognize America today.

I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.

My theory is this; I'm not a political songwriter. I'm an honest songwriter.

I've had songs written during the Falklands war, and during the first Gulf war I got letters from soldiers saying they were listening to these songs, like Island of no return.

In that sense, I became politicized because the people in the coal mining villages who were involved in the struggle knew why they were there. But they couldn't understand why some pop star from London would want to be there.

My upbringing was very straightforward suburban working class upbringing.

All musicians start out with ideals but hanging on to them in the face of media scrutiny takes real integrity. Tougher still is to live up to the ideals of your dedicated fans.

I try and write honestly about what I see around me now.

By the time I was 19, punk had occurred. It had a completely different cultural dynamic to it which rejected everything and started again from the year zero.

We read our own political content into The Clash, and they accepted it.

Most of the people that I went to school with - I went to secondary school - we were educated to go and work in the line at Ford's, and if we were lucky, technical skilled labor. I sort of rejected that, and thought I wanted to do something else.

An isolationist America is no bloody use to anyone.

My focus is that firearms are handled safely and that we can continue to enjoy them here in North America.

America is false to the past, false to the present, and solemnly binds herself to be false to the future.

Generally students are the best vehicles for passing on ideas, for their thoughts are plastic and can be molded and they can adjust the ideas of old men to the shape of reality as they find it in villages and hills of China or in ghettos and suburbs of America.

Who cares about that stuff? This is America, not Jerusalem. I'm an American. Let Harry be a Jew.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

I'm about to become a member of the Chemists Society of America. I'm very proud of that.

It's a cyclical thing. When they make one, everyone loves them. Different genres come around in succession. People always welcome the western. It's America's genre.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

If we can just take a few companies, and use those as models, as examples, to show the rest of corporate America how they can become more competitive, that's what I'd like to do and that's what I hope to do.

The surest way to return to the people's business is to listen to the people themselves: We need to drop this whole scheme of federally controlled health care, start over, and work together on real reforms at the state level that will contain costs and won't leave America trillions of dollars deeper in debt.

Gary Smith, when I came to America, taught me a great deal about racing.

You know, nobody eats in England. Three or four pints of English beer a night fills you. I can't say I'm very impressed with the food in America. it's all sort of bland. Like turkey sandwiches.

Fascism is a worldwide disease. Its greatest threat to the United States will come after the war, either via Latin America or within the United States itself.

I've always thought that if Israel really wanted to solve the problem, they'd just start tomorrow and push right to the Jordan River, and anything in their way goes. They don't need America or someone else to help.

These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.

American and Israel share a special bond. Our relationship is unique among all nations. Like America, Israel is a strong democracy, a symbol of freedom, and an oasis of liberty, a home to the oppressed and persecuted.

All the perplexities, confusion and distress in America arise, not from defects in their Constitution or Confederation, not from want of honor or virtue, so much as from the downright ignorance of the nature of coin, credit and circulation.

From the long range point of view, I do not know of anything we can do more important than to make some contribution to the preservation of religion as a vital force in America.

Our alliances and our credibility are crucial elements of our working capital in advancing America's interests in the world, and they have been eroded over the last four years.

In America it's live by the sword of freedom of expression and be will to die by it as well.

America is not a melting pot. It is a sizzling cauldron.