It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.

I love the feeling of creating pictures in someone's mind just by spelling out the right lyrical combination.

We came off the road of the last tour very inspired to just keep playing, so we went to Canada.

I'd written songs with lots of people, from one spectrum to the other.

I have always enjoyed different kinds of music.

I mean, Beatles songs were two and a half minutes long, and they're fantastic.

So one can say that I write all the time, that goes for the lyrics as well.

And I found that when I built my own place and just shut the door, the creativity was endless.

Everyone is really getting along with each other and we enjoy each others company and love playing live.

I write on all instruments.

I wasn't really writing with anything commercial in mind I just wanted to create some new music.

I grew up in a very musical family, my father was a musician and a big band leader and made records.

I think that the climate within the band has changed, it's now in a more functional situation.

I also write poems, so that is something that I really enjoy.

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

So in one sense you don't have the classic keyboard player in Yes.

I know that if I went to other studios, like in Vancouver, that those are set up to be as professional and as true, so it's just a different flavour, it's a different sound, but I think both have their place.

I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.

So I was always around music and my dad was in his own way a progressive jazzer, a big band jazzer guy.

I love all Yes music and love to play it live, but I'm most interested in making new music with Yes.

So that studio served its purpose, and still is working very well for other people right now.

So whenever I had some in-between producing time down in my studio I popped a tape in and started working on it. Working a little bit at a time, it actually took almost four years.

When you're a songwriter and you click with someone, you tend to want to keep writing with that person.

I don't have any assistants, I do it all myself, I don't have any secretaries.

I'm very proud of it as a Yes record amongst many of the other Yes records.

Sometimes I hear a drum groove in my head and I rush down to my studio.

You know, I am just a musician and I have no idea these days what good and bad is in terms of labels.

I wrote songs with the guys from Air Supply for their record... So I was just writing songs.

It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.

And as you said, everyone contributed; certain areas of material came from certain individuals.

So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!

I sympathize with the victims of Hurricane Sandy and believe that those who purchased flood insurance should have their claims paid.

When you are transitioning to a new season of life, the people and situations that no longer fit you will fall away.

The descent to the infernal regions is easy enough, but to retrace one's steps, and reach the air above, there's the rub.

It is better to suffer wrong than to do it, and happier to be sometimes cheated than not to trust.

My friend, Sue Ann, in college pulled me aside and said, 'Honey I love you but you have got to start waxing your eyebrows. They look wild!' So thank you, that kinda changed my life.

No one is entertained by economics.

Who then can so softly bind up the wound of another as he who has felt the same wound himself.

I grew up on my dad's sets, but I was never star-struck or desperate to be famous. I grew up being a worker. It took me a long time to realise that my work ended up being seen by people. As far as I was concerned, I was just in the family business.

I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.

I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.

Then we have a World Run, where representatives from all the charters meet.

Some people say it might be good for your career to die and then come back again. I have died many ways, car crashes, motorcycle crashes, etc. But, I am still alive.

The evolution of the plaza always came from the idea of just a really good place to ride a skateboard that you could ride at anytime, and that's what the foundation always stands for - being a place that's free, open and legal... for those that are technical, to do really hard stuff, and for those who are learning, to just have fun.

My relationship with 'Pollyanna' is a very personal one, because Pollyanna got me through my childhood.

By bringing the voices of the ordinary people faced with extraordinary challenges to television screens around the world, I hope to affect change in one community at a time.

You know, it looks like I have a varied resume or a varied career, that I've made interesting choices, when the truth of the matter is, in a way I've just kind of piece-mealed a career together, you know?

Good questions outrank easy answers.

As soon as I hear that there's something to get used to, I know that I won't; I sort of pledge myself to not getting used to it.