The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor.

Well, there are conjoined twins in real life and we can tell a story about them so long as they're not the brunt of the jokes. In this, they're the heroes of this story; we love these guys.

I feel reviewers are tougher on comedies in general. They don't take them seriously, and the ones that get great reviews are not necessarily the ones that I like.

We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor.

We feel that what's too far is when you make a joke and somebody gets hurt.

The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor.

In comedy, though, it's good to get feedback from the audience about what they find funny.

You know, I can't remember the last movie I walked out of. If I pay, I'll see it through. I can't be halfway through a movie and think that I know everything that's going to happen, because I hope that I'm wrong.

It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.

I think the last one would have to be The Godfather because it was such a powerful story. There was lots of violence in it but I could take it because I thought there was a reality to it. It wasn't gratuitous, it was just these guys' story.

I just feel I'm on a different page from the reviewers, so I've learned not to care about them too much.

We love the Stooges, and young kids today don't watch them. They think it's their dad's comedy. So we thought we could reintroduce them to a new audience.

I know people watch our movies and they'll see a lot of images - they call it gross-out - that they don't like, and I understand that. It's an important movie and one that's extremely well done, but the amount of violent imagery was not for me.

I think that's the key to being a director: to be able to get the shot and move on quickly.

Clint Eastwood. Here's a guy who's been involved in so many movies, lots of them masterpieces, and now he's a director. I just like everything I know about him. He's very decisive, he makes up his mind real quick.

I think we both have some darkness in us. But when we are together, we tend to concentrate more on the light.

We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.

My favorite actor is Wallace Beery.

I've been a very lucky actor.

I don't think I could be happy as an actor if there was a tyrant on the set.

When I was starting to get noticed as an actor in the 1970s for something other than the third cowboy on the right who ended up dying in every movie or episode, Burt Reynolds was the biggest star in the world.

Most parts that can be played by one actor can equally well be played by another, but not this.

I think, frankly, that I'm a better director than I was an actor.

I knew an actor's career goes up and down and back up again. Your standing in this business can't be your whole identity; otherwise, you're doomed.

I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

I never dreamed about being an actor, because that was out of reach. Coming from a small town that was big in farming, and also big in clothing factories, you don't dream about being a professional football player or an actor.

My goal was always to be recognized as a good actor but no one was interested in that, simply because society just wants to warm towards your appearance. This is the great blemish of society.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

To be honest with you, when I got into this I never thought about reviews. I never thought about what people would say about me. I was just a young guy who was excited to become a comedian and an actor and I just wanted to get to do what I got to do.

It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.

I think that I've still not been successful at playing the role of the retired actor, and I'd like to work on that.

And once you cease to be a real person, you stop being a good actor.

When I decided I wanted to be an actor, I said I wanted to work with quality actors and directors.

There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won't bring to me because they don't think I'll do it. And that is a big strain because an actor wants to act.

Reality is, I'm an actor and an entertainer, and I really wouldn't know what to do with another profession.

I still feel like I'm trying to make it. It's hard to shed the struggling actor thing.

Only a great actor finds the difficulties of the actor's art infinite.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

I was always a character actor. I just looked like Little Red Riding Hood.

In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.

An actor entering through the door, you've got nothing. But if he enters through the window, you've got a situation.

Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

I didn't want to be an actor.

I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.

An actor is at most a poet and at least an entertainer.