The whole time I was modeling, I had a place in Paris, and a place in New York, and I was really single.

We're very open and outspoken about our faith and our beliefs. We also talk about our doubts, our moments of insecurities. We talk about it all day, how we're inspired by God. We recognize little miracles every day, and that's how we're raising our daughter.

You can be very independent, but admit to wanting somebody close to you and that's what me and my wife have. We don't need each other but we want to be with each other and I think it's important to educate the kids with that.

Secular artists see themselves with performance; they are more self involved, presentational.

Yet, that's what studios do. If one thing works, they'll keep doing it till it runs its course and people aren't interested anymore.

I had to study acting to basically educate myself.

Some of the best actors in the world are very exterior actors, Anthony Hopkins being one of them. He knows exactly how to turn his face to get a certain expression. He knows exactly what to do with eyes, and with his voice. It's very exterior.

Let's say black, the whole black religious experience, here, is very impressive to me, because when I first arrived I realized that people carry their faith with so much pride.

I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.

The Southern Baptist Church is a specific culture in itself. So, I had to study, talk to people, watch tape and go to performances to see how Gospel artists move compared to secular artists.

I'm in the booth and first of all, I'm from Germany and I had never heard a gospel in my life.

The whole time I was modeling, I had a place in Paris, and a place in New York, and I was really single.

I was looking to show people I could act. I was looking for something that would take me away from the whole hunk riding off into the sunset thing that people wanted me to play after Brown Sugar.

I knew immediately that she was going to be in my life forever. I didn't know in what capacity, but I knew that I had found someone who was going to be close to me for a long time. We became great friends fast.

Yet I wanted to have children, and I knew that was my purpose, but I wasn't going to settle.

I just didn't know who was going to be my partner. I knew that once I had grown to be a man that I was going to attract the person that I deserved to be with, or deserved to be with me.

As part of my relationship with my wife and my daughter, and we share everything and talk about everything.

We have relationships and know the exact outcome with that person because we don't deal with ourselves and don't deal with our issues and end up being attracted to the same person or the person is attracted to our energy.

I don't care if you are religious or not and I think the message is that at the end of the day, everybody has to mature and everybody has to heal and mend their own injuries, emotional injuries, on their own pace.

Don't ignore the past, but deal with it, on your own pace. Once you deal with it, you are free of it; and you are free to embrace your life and be a happy loving person because if you don't, the past will come back to haunt and keep coming back to haunt you.

I love the fact that we, as black people, carry our faith with us. We share it and embrace it and love it and talk about it because we talk about everything else and why not that and that was the first impression that I had that really touched me.

There was a certain point in my life where I had to decide that I was going to take my future and Nicole's and not wallow in what happened to me because when you do that, you just keep repeating what's been happening and at some point you have to make a choice.

Sometimes in the black culture, being raised as an independent woman is misconstrued as someone who doesn't need a man. I think that's wrong. I think we all need someone.

I know I can act and it doesn't matter where you come from.

Gospel artists are messengers; they are vessels of a message.

Everybody goes through obstacles and problems and issues and turn their backs on people that we are fond of and love just because we hurt; and everybody goes through that.

My love for you is past the mind beyond my heart and into my soul.

When I look back now, it must have been like Paris was at the time of Le Sacre du Printemps.

At home in Paris I take a milk bath two times a week, but here on the road it is more difficult. I miss them.

One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.

You have people who can't act and they get all these parts. Paris Hilton falls into her own category. She's made a career out of it.

If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.

I made the decision to come back to New York, quit my job and move to Paris.

The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'

When Paris has to pee, Paris has to pee!

Good talkers are only found in Paris.

I stayed three weeks in Paris, fell in love with the city, and decided that I was born to live in Paris.

I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel, read 2,000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano.

I was backstage in Paris and saw Cindy Crawford doing House Of Style. I thought, I would love to to be in control of my career.

The audience that surprised us the most was definitely Paris, when we played there last. They were just incredibly into us and we weren't expecting it at all.

When I was at school at Paris, I had special lessons from Mademoiselle Antoine, an actress at the Comedie Francaise, and I was taken to every sort of play. I felt very grand.

I've never seen the Osbournes, I've never seen Paris Hilton. I'd rather read than watch reality TV. I'd rather live life than watch somebody else living it.

Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced.

It was so quiet that morning in Paris that the heels of my two companions and myself were loud on the deserted pavements. It was a city of shuttered shops, and barred windows, and deserted avenues.

I will always remember this summer day in Paris, when I was to perform a great acrobatic move. I can still see myself stepping on the ring of a packed circus along real performers.

I've been to Paris France and I've been to Paris Paramount. Paris Paramount is better.

We had maybe the greatest success of any company that I know of in Paris, and after two or three years I wanted to do this same number that we did for PBS, so we did it and Paris had always considered us their darlings.

Whoever would have guessed that in the land of cheap sausages and mashed potatoes there could be such a change which would actually bring the French from Paris every weekend to invade Britain en masse to eat great food and drink great wine.

America is a nation with no truly national city, no Paris, no Rome, no London, no city which is at once the social center, the political capital, and the financial hub.