I think that the World Champion should try to defend the quality of play more than anyone else.

Nowadays there is more dynamism in chess, modern players like to take the initiative. Usually they are poor defenders though.

I also follow chess on the Internet, where Kasparov's site is very interesting.

For example, computer defends well, but for humans its is harder to defend than attack, particularly with the modern time control.

Nowadays the dynamic element is more important in chess - players more often sacrifice material to obtain dynamic compensation.

I try to help developing junior chess. When I lived in USSR, I got a lot of free help from very good coaches - now I am trying to repay that debt.

When I am in form, my style is a little bit stubborn, almost brutal. Sometimes I feel a great spirit of fight which drives me on.

In my country, at that time, being a champion of chess was like being a King. At that time I was a King - and when you are King you feel a lot of responsibility, but there is nobody there to help you.

The Soviet Union was an exception, but even there chess players were not rich. Only Fischer changed that.

When I played Bobby Fischer, my opponent fought against organizations - the television producers and the match organizers. But he never fought against me personally. I lost to Bobby before the match because he was already stronger than I. He won normally.

We can compare classical chess and rapid chess with theatre and cinema - some actors don't like the latter and prefer to work in the theatre.

Nowadays young people have great choice of occupations, hobbies, etc, so chess is experiencing difficulties because of the high competition. Now it's hard to make living in chess, so our profession does attract young people.

Bobby Fischer has an enormous knowledge of chess and his familiarity with the chess literature of the USSR is immense.

Time control directly influences the quality of play.

I don't play in tournaments, but I follow some.

I think that the World Champion should try to defend the quality of play more than anyone else.

When you play Bobby, it is not a question if you win or lose. It is a question if you survive.

Nowadays it would be reasonable to have an annual world championship.

Recently I saw Kasparov and he looked to me as still young and potent champion.

I don't want ever to be champion again.

The place of chess in the society is closely related to the attitude of young people towards our game.

We were like bishops of opposite color.

On the other hand, chess is a mass sport now and for chess organisers shorter time control is obviously more attractive. But I think that this control does not suit World Championship matches.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.

We just have to get it going and play hard every time out.

Art is an expression of who you are. Parts that I play are my sculptures.

There is an audience for every play; it's just that sometimes it can't wait long enough to find it.

I'll play it and tell you what it is later.

I wish the Libertarian Party would get more play in the media but they don't.

I don't feel right unless I have a sport to play or at least a way to work up a sweat.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

Each day, and the living of it, has to be a conscious creation in which discipline and order are relieved with some play and pure foolishness.