The strange thing is that since I've been offered lots of films I think that maybe they think that I've sold out to Hollywood. Which is not the case if anybody's listening.

I hate that people think going to the theatre is a special occasion. I wish people would treat it as normally as going to the cinema.

I love silence.

Being a secretary was considered a very good job in those days.

I've made six films since I made Secrets and Lies but I still live in London and I'd love to do theater.

People say to me that I can't be nervous because I've had such a wealth of experience, but I tell them that I have never done this particular part before.

I've never done a big studio film, I've only ever done little ones.

I knew Secrets and Lies was a great film, but I didn't expect it to get the attention it did because none of his other films had and I thought they were just as good.

Maybe wanting to retire is my ambition.

Anything where people have to work together makes me cry.

I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.

Everyone the world over talks about British actors and British talent and I think that's because we were trained - until now - in theatre.

I always considered myself very successful even before the success of Secrets and Lies.

I think behind closed doors people behave differently no matter what period we're looking at, because people have to stand up straight in public but can slouch behind closed doors - can you imagine wearing those corsets?

I always think 12 times before saying anything.

It's a real leveller, you know, to do theatre at least once every two years.

In fact at home I sometimes like to be quiet and hear the sounds of the world outside.

When I left drama school, there were dozens of rep theatres you could apply to where you got a good training.

Before every performance, I think I am about to keel over.

It's the same as any role and I find that you can't lump characters together; because they all have different life experiences, different reasons for being the way they are.

I think people often confuse success with fame and stardom.

The strange thing is that since I've been offered lots of films I think that maybe they think that I've sold out to Hollywood. Which is not the case if anybody's listening.

Even if I hadn't have been nominated for an Oscar, to have won the Golden Glove was just fantastic.

The academy awards in England; it's a classy affair as well.

I like the enthusiasm but not the insincerity of Los Angeles.

We all respect sincerity in our friends and acquaintances, but Hollywood is willing to pay for it.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I've always thought John Travolta is one of the greatest movie stars Hollywood has ever produced.

It could be my downfall, but I don't think it is - Hollywood is run on perception, and if you stray off the path of what you want to do with your career, it's suicide.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

Growing up in Hollywood it seemed like every kid was the child of some star. We had no idea that other people would think we were special, because there was no other lifestyle to compare it to.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

Hollywood is kind of a bad world.

It's so crazy in Hollywood.

I don't think I ever understood Hollywood.

I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.

Hollywood is sexist and age-ist, and that covers all the bases, I guess.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

Hollywood today is all about being consistent. All thinking in mainstream film business takes place in one box.

Everyone is treating it like a Hollywood story. In Madison, it's a neighborhood story.

Hollywood is what you make it; you have to choose company with care because you become what they are.

Hollywood is a world all its own.

Silence is the sure sign that you're on your way out in Hollywood.

What is the thing that Hollywood demands most? Sincerity. No place in the world will pay such a high price for this admirable trait.

If you can believe it, Hollywood wanted to change my birthdate. I was born after Valentine's Day, so they wanted to change it to February 14. A Latin lover should be born on Valentine's Day. I said no.

In Hollywood if you are not working, you are a leper. True, you are probably living in the most expensive leper colony in the world.

There are plenty of lesbians in Hollywood, but they're not out. And that's their choice, but I can't do that, it's too important to me.

After 13 years of life on the half shell in Hollywood, I have made a trip where I wasn't a tourist.