I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

We gave the show away and in return, we received a certain number of minutes per hour for the three-hour show that we could sell to Madison Avenue. One of the first sponsors was MGM Records.

For the most part, that message hasn't changed a lot over the years - love is still love, and heartbreak is still heartbreak.

I'd like to feel that an advertiser gets something extra when they advertise with us - a certain humanity that comes from upbeat and positive human interest letters and success stories.

For years everyone looked toward the demise of radio when television came along. Before that, they thought talking movies might eliminate radio as well. But radio just keeps getting stronger.

I was drafted and went to Korea where I had an opportunity to create a production team that did dramatic and comedy shows. I had also done a little disc jockeying.

Basically, radio hasn't changed over the years. Despite all the technical improvements, it still boils down to a man or a woman and a microphone, playing music, sharing stories, talking about issues - communicating with an audience.

It's been amazing, the number of commercials that I've done, starting back in 1968. It must be 8,000.

The first syndicating I tried was when two partners and I created a production company in 1952. We wanted to syndicate famous Bible stories and sell them for $25 a show.

Songs used to be short, then they became longer, and now they're getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, you've got a hit.

I started radio in 1950 on the Lone Ranger radio program, a dramatic show that emanated from Detroit when I was 18 years old and just beginning college. I did that for a couple of years.

Always be consistent.

Lives of great men oft remind us as we o'er their pages turn, That we too may leave behind us - Letters that we ought to burn.

Critics are sentinels in the grand army of letters, stationed at the corners of newspapers and reviews, to challenge every new author.

I get letters from readers who say that they have always hated reading, but somebody suggested one of my books, they actually finished the book and enjoyed it, and they're going on to read another book. I'm thrilled that they have figured out that reading is fun.

I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me.

I started getting letters from college in the tenth grade.

You know these love letters mix with whisky, just don't light a match when you kiss me.

Writings scatter to the winds blank checks in an insane charge. And were they not such flying leaves, there would be no purloined letters.

But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.

My readers at that time were still men of letters; but there had to be other people waiting to read my poems.

I have asked myself once or twice lately what was my natural bent. I have no doubt at all: It is to look at each day for the evil of that day and have a go at it, and that is why I have never failed to have an acute interest in each morning's letters.

Walking is the natural recreation for a man who desires not absolutely to suppress his intellect but to turn it out to play for a season. All great men of letters have therefore been enthusiastic walkers.

Aside from sales, the letters from readers have been primarily positive.

Judging from the letters I've received from obviously feeble-minded persons who wish I would write another These Old Shades, it ought to sell like hot cakes.

There are people who would rather choke than go see my movies. They write me letters all the time.

When I first began to combine letters other than Hebrew, I read every book in German that came my way, and from these I certainly received according to the nature of my soul.

When an actor has money, he doesn't send letters, but telegrams.

Writers spend three years rearranging 26 letters of the alphabet. It's enough to make you lose your mind day by day.

To be a philosophical sceptic is, in a man of letters, the first and most essential to being a sound, believing Christian.

More negatives write than call. It's a cheap shot for me to go on the air with the critical letters or E-mail I get because the reaction of the listeners is always an instantaneous expression of sympathy for me and contempt for the poor critic.

I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage.

It's not the most intellectual job in the world, but I do have to know the letters.

Most well-known serial killers have victims numbering in the dozens, have sent taunting letters to the police or have done bizarre things to the bodies.

I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response from me. But his letters were lovely. And the poems he wrote me were lovely. I used some of them in my book.

A typical agent in New York gets 400 query letters a month. Of those, they might ask to read 3-4 manuscripts, and of those, they might ask to represent 1.

The letters were universally complimentary, and we designers loved hearing that our games were being enjoyed, but if they weren't sending us a picture of their screens most of those writers would have spent their time playing the game rather than writing letters.

Sometimes I have to compromise my views, but I never compromise on issues like the death penalty and the arm trade laws, despite what the readers or letters may say.

I wrote that letter, and the one to Nixon. And I wrote more letters, and I thought it might be a magazine article. At that time I sent it to Esquire and Playboy, but anyway, I kept writing, and all of sudden I had enough and thought, well maybe it is a book.

There's always a great deal of business to be transacted in one's office. There are always visitors it seems to me, an unending stream of them, who come with letters of recommendation, or come actually on substantive business.

I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.

I have had nothing to do in any way, shape or form with the mailing of these anthrax letters, and it is extremely wrong for anyone to contend or suggest that I have.

I'd like to feel that an advertiser gets something extra when they advertise with us - a certain humanity that comes from upbeat and positive human interest letters and success stories.

When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!

Every author really wants to have letters printed in the papers. Unable to make the grade, he drops down a rung of the ladder and writes novels.

We already know that anonymous letters are despicable. In etiquette, as well as in law, hiring a hit man to do the job does not relieve you of responsibility.

If a man wishes to truly not be written about, he would do well not to write letters to 18-year-old girls, inviting them into his life.