I am a person of the 18th century.

I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything-but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.

So I like to make music, and I like to share music. This is also a gift.

The first time I sang with David Daniels... I had never performed with a countertenor before. That first time was magic, it was so beautiful. And he's such a great artist.

I still love to walk in the mountains or be on the sea. I like to be in nature. Sometimes I bicycle. It's important to feel good with your body. The body is extremely important. If you feel good, you have more energy in your singing.

So you see, movies are really another dimension.

Arizona is gorgeous. The sunshine in Arizona is gorgeous red.

We consider Monteverdi the first composer of opera. There was someone before, but everything started with Monteverdi.

Well, what I tried to do is to just listen to my voice, because my voice is my boss. She decides.

It's nice to have a great female composer in the program and add her color.

The songs of Bizet are by a French peer of Rossini. When Rossini stopped composing, he was living in Paris. He also wrote some beautiful songs in French.

I am a person of the 18th century.

The voice is an instrument that you really must take time to develop. It's like a good red wine Give it time.

When you are accompanied by the instrument - on an instrument like the lute-the lute and voice - you have this sound, and you feel how the music can be so touching and yet so simple.

It's a dream come true, and with this music, with this Rossini, it's unbelievable how to express the joy and express the joy of the situation and the joy to play this music, to sing this music, it's really fantastic.

The voice will guide you-will tell you what to do. In order to do that, you must be quite sensitive with the instrument and accept this daily conversation with your voice.

I did a concert... in September with the Berlin Philharmonic... They're great musicians, and there's always something to learn from them.

I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.

Music is a way to dream together and go to another dimension.

Well, I don't think a specific role can destroy your voice. What can destroy your voice is when you... make an error. Everybody can make an error. But then you need to realize what is your way.

Actually, I feel music becoming more and more important. It's a big source of inspiration. With what's going on in the world, we feel almost desperate. Music also brings you peace.

When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.

People realize that Salieri is not the man we saw in the Amadeus movie. That man had no talent. It was a great movie, but the Salieri character was a big fiction.

The media can be a really strong vehicle.

The restaurants close here in Salzburg. They don't really have a nightlife in the winter time.

I went to the Conservatory of Music in school in Rome.

The goal is always to make a nice tableau painting with the voice. The more color I can find, the more shadow I can find - the goal is always to make more nuance and colors.

It's like when you want to make a house... the technique is very important.

I would still love to do more Handel. I think Handel was a fantastic composer. I did lots of Vivaldi, but it's also important to do the music of Handel, one of the greatest composers of the 18th century.

German is more familiar now since I live part of the year in Rome and part in the German part of Switzerland. But it's not difficult to sing in German; it's difficult to feel in German. This takes time. It's a culture.

It's such a joy to work with different ensembles and create a collaboration. Rehearsing and building a performance is very interesting for me.

What the world really needs is more love and less paperwork.

Twenty can't be expected to tolerate sixty in all things, and sixty gets bored stiff with twenty's eternal love affairs.

We do not judge great art. It judges us.

I think, therefore I am is the statement of an intellectual who underrates toothaches.

I will never answer that question of what are the challenges I face. You speak it into existence, and I choose to use that air for other things.

In places like the U.S. and Germany, women's professional boxing is already quite big, but I'd like to be the name that makes it bigger and gives it more global appeal.

Westerners often laud their children as 'talented' or 'gifted', while Asian parents highlight the importance of hard work. And in fact, research performed by Stanford psychologist Carol Dweck has found that the way parents offer approval affects the way children perform, even the way they feel about themselves.

We don't use the term 'big data' - not on our website, not with customers. Saying it sets up expectations, the wrong expectations.

I love the rain. It's my favorite weather.

If youre not having fun its your own fault.

Because our entire universe is made up of consciousness, we never really experience the universe directly we just experience our consciousness of the universe, our perception of it, so right, our only universe is perception.

This is Hollywood. People don't admit mistakes.

Some of my fondest memories are holidays by the seaside.

I was born and raised in L.A. My father was born and raised in L.A. So we're old hands here.

Change is the law of life and those who look only to the past or present are certain to miss the future.

I have in the past acquired a reputation for concocting non-existent writers and unwritten volumes.

Creative universities are bedrock of every developed nation's S&T strategy.

As far as people I'd like to work with, the list is endless. I think to work with Steve McQueen would be amazing, and then some of the U.K. talent we have: Eddie Marsan, Olivia Colman, both of whom I have met and admired for a long time. We're very blessed in this country; there is so much talent for people to work with and learn from.