I was always a dreamer, in childhood especially. People thought I was a little strange.

Once your name becomes well known, politicians come courting.

Singing as a full-time job was not something I had given a lot of thought to and I had no clear notion of the money to be made in it.

It isn't reasonable to expect that everyone in the world is a country music fan. Not yet, anyway.

What we don't need in country music is divisiveness, public criticism of each other, and some arbitrary judgement of what belongs and what doesn't.

I don't care what the religion is called; as far as I'm concerned, one God, the God I adhere to, is in charge of all of them.

I've tried to help a lot of young artists get started.

Fans are what make a performer and I've always taken them seriously.

Fans will praise you, scold you, and offer helpful advice. Fans will also defend you.

When I came up, there was room for the new and the old. For every new artist, an old one didn't have to be pushed out.

Until MTV, television had not been a huge influence on music. To compete with MTV, the country music moguls felt they had to appeal to the same young audience and do it the way MTV did.

The tastes of country music fans are not limited to the narrow range defined by consultants and programmers and record company moguls.

I learned to tune a guitar by ear. That method has served me pretty well.

A black man singing about a blond girl was potential trouble.

A fan will grab you and hug you and will not let go. When that happens, you wish it could be that way all over the world.

Performing is an experience, for me, that is as humbling as it is energizing.

Even now, when I'm asked how I'm doing, I like to reply, 'Pretty good. I've got all my fingers and both eyes.

Too many religious organizations are in the business of enforcing beliefs.

There are worse things than being thought a Republican.

It used to be that if you had a pretty good record, you could stop by a station in Little Rock or Atlanta and let the DJ listen to it. No way something like that can happen now.

I grew up not liking my father very much. I never saw him cry. But he must have. Everybody cries.

Chet Atkins... is probably the best guitar player who ever lived.

The time I spent thinking about how I was better than somebody else or worrying about somebody else's attitude was time I could put to better use.

I think there's enough room in country music for everybody.

Redd Foxx was the same gruff old codger you saw on television.

What qualifies me to tell people how to act or what to think? I'm Charley Pride, country singer. Period.

There is an intimacy about the Opry Theater that gives an entertainer a special charge.

I was always a dreamer, in childhood especially. People thought I was a little strange.

For most entertainers, there is a single experience, one defining moment, when confidence replaces the self-doubt that most of us wrestle with.

Any entertainer who tells you that the adoration of fans is not a heady experience probably never had the experience.

In 20 years I had sold more records for RCA than any artist except Elvis Presley.

No one had ever told me that whites were supposed to sing one kind of music and blacks another - I sang what I liked in the only voice I had.

A sister is a little bit of childhood that can never be lost.

A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.

It sounds ideal, a sort of beach childhood. But it wasn't really. I didn't use the beach very much at all.

All our pursuits, from childhood to manhood, are only trifles of different sorts and sizes, proportioned to our years and views.

The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well.

I don't carry any early childhood trauma around with me, if that's what you're hinting at. The story of the bicycles - and there were three of them which were stolen from me - I've dealt with it well.

Remember Graham Green's dictum that childhood is the bank balance of the writer? I think that all writers feel alienated. Most of us go back to an alienated childhood in some way or another. I know that I do.

Hors d'oeuvres have always a pathetic interest for me; they remind me of one's childhood that one goes through wondering what the next course is going to be like - and during the rest of the menu one wishes one had eaten more of the hors d'oeuvres.

Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.

Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.

Well I was an asthmatic child. So that for most of my childhood I was in bed. Bedridden.

Happy, happy Christmas, that can win us back to the delusions of our childhood days, recall to the old man the pleasures of his youth, and transport the traveler back to his own fireside and quiet home!

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

If a nation loses its storytellers, it loses its childhood.

I had a kind of Dickensian childhood.

Friendships in childhood are usually a matter of chance, whereas in adolescence they are most often a matter of choice.

I didn't have a happy childhood.