So it's really hard for a horn player to comp. But I'm totally into trying to switch those paradigms around and find a little magic space where that works, and try to mine that.

Ultimately, at the end of it, it's just trying to get into that space where you feel like you're hitting the right thing and you're making music. And it feels intuitive rather than being counterintuitive.

Anyone playing with you is going to change where your direction is.

If we really wanted to be cool, and everyone in the world had Pro Tools, we could just put it up on the internet and everyone could make their own record out of it.

I do dig the White Stripes. I like the record they have out now.

Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.

But that kind of falls in line; when you think about it, James Brown was a funk minimalist. All of those parts create a sum that's larger than than the individual parts.

Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!

So it's really hard for a horn player to comp. But I'm totally into trying to switch those paradigms around and find a little magic space where that works, and try to mine that.

But I just think we've got such a continuity with what we're doing that most people come in and fill in the blanks. And sometimes we leave a lot of blanks to be filled.

I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is.

Yeah, well, it did earlier - but as Bobby and I have played together, our thing as a unit has become so strong that they kind of had to get in where they fit in. And most people do.

Everything we did, we did live - and then Bobby took it home and chopped it up and edited it. Which is pretty much what they did with every jazz record you've ever heard.

Now, when we first started, I would be playing something good and then feel like I wasn't doing the right thing and launch into some idiotic cliche. Luckily for me, Bobby was patient.

That's the exact concept behind the music: to take that kind of, I guess whatever you want to call it, jazz sensibility - but not have it be about solos.

It's just a way of trying to get to a third thing that's not particular to any quote-unquote genre. It's been great for me; it's really opened me up and gotten me to use that part of my imagination. It's very scary in a lot of ways, and just as exciting.

The market didn't define the music; the music defined the market.

And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit.

That's the thing that we said about the horn before: it's a focus issue. It's like a singer versus a drummer. If a drummer's playing a drum beat, and a singer starts singing, what do you think the audience is going to do?

But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way.

I certainly hope my music is in no way, shape or form influenced by anything that would be known as a jam band. If it is, then I'm going to do something else.

I never do anything to strictly satisfy a fickle, ever-changing commercial world. I do the music I like to play. It's the only way I feel comfortable existing in the industry.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

It's not sometimes realistic to think that something magical can happen, but I think I look for the magic.

It seems inevitable that the magic of the written word will fade.

I love the magic of the studio.

The magic formula that successful businesses have discovered is to treat customers like guests and employees like people.

Magic becomes art when it has nothing to hide.

Better beware of notions like genius and inspiration; they are a sort of magic wand and should be used sparingly by anybody who wants to see things clearly.

There is a real magic in enthusiasm. It spells the difference between mediocrity and accomplishment.

Residuals from Australia, from the Mission Magic show, saved my butt. So there is a reason for everything.

Indubitably, magic is one of the subtlest and most difficult of the sciences and arts. There is more opportunity for errors of comprehension, judgment and practice than in any other branch of physics.

I think that the ideal space must contain elements of magic, serenity, sorcery and mystery.

The first time I sang with David Daniels... I had never performed with a countertenor before. That first time was magic, it was so beautiful. And he's such a great artist.

Burn down your cities and leave our farms, and your cities will spring up again as if by magic; but destroy our farms and the grass will grow in the streets of every city in the country.

It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it.

Movies are like magic tricks.

Whatever you can do, or dream you can, begin it. Boldness has genius, power, and magic in it.

So many plays with magic in them that would be a terrific invitation to an imaginative animation team.

It's just like magic. When you live by yourself, all of your annoying habits are gone.

Speeches are not magic and there is no great speech without great policy.

Alcohol is like love. The first kiss is magic, the second is intimate, the third is routine. After that you take the girl's clothes off.

I can write, He floated up to the ceiling, and a baby rabbit came out of his pocket, grew wings, and flew away. And you will believe that it really happened. That's magic, isn't it?

That old black magic has me in its spell, That old black magic that you weave so well; Icy fingers up and down my spine, The same old witchcraft when your eyes meet mine.

The magic doesn't come from within the director's mind, it comes from within the hearts of the actors.

I love anything to do with ventriloquism and magic.

I spent an entire evening seated between Fred Astaire and Gene Kelly, being charmed from either side. It was pure Hollywood magic.

Make no little plans; they have no magic to stir men's blood.

My mother learned that she was carrying me at about the same time the Second World War was declared; with the family talent for magic realism, she once told me she had been to the doctor's on the very day.