I want to do films I can relate to emotionally.

My mom put me in a Pampers commercial on TV.

Art does imitate life, it has to come from somewhere. To put boundaries and limitations on it doesn't make a lot of sense to me.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

As you get older you learn some balance and mediation in your life - that's where I am right now. I feel pretty comfortable about things.

I want to do films I can relate to emotionally.

Good judgement comes from experience. Sometimes, experience comes from bad judgement.

I think games are starting to branch out. It's not just guys sitting at their computer stations. Games are so fun, that everybody gets into them a little bit.

I have brought a PS2 on set with me before. But games can be really addicting, and that's dangerous. So I tend to keep it fairly limited on a certain level.

I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.

I've calmed down, certainly, from the days of being 18, but I'm still having a good time.

This is what Hollywood tends to do. It tends to disregard tradition, history and anything factual, twisting it and turning it and making it all okay regardless of what the English may think of it.

I'm trying not to put myself into anything I'm not 100 percent confident about.

How do I feel about being a star now? Well I still try to live life and enjoy what I am doing.

Hopefully, that people could see a progression in my performances because that's how it's always felt to me.

I don't think of myself as offbeat and weird. As a kid, I saw myself as the type of guy who would run into a burning building to save the baby.

The movies I've made at a certain time of my life were exactly right for the stage of my life, the frame of mind I was in at the time. Each character I've had to play has been me in that time in my life.

If I make a move, like raise my eyebrows, some critic says I'm doing Nicholson. What am I supposed to do, cut off my eyebrows?

It's almost like these games are the modern day comic books, especially when you play Alone in the Dark. There's a real story that goes along with it and a movie seemed like the right kind of transition to make.

I was always such an incredible fan of John Woo, I just wanted to do this film with him.

I can promote until I am blue in the face, but ultimately nobody knows what makes a hit.

The way I see it, if you're going to make an action movie, you've got to make one with John Woo.

I took a lot of time off after Mobsters and although I did something I had never done before, which was to direct a play, The Laughter Epidemic, it felt like a vacation.

I've been taking my time now between projects looking for stuff that has a little bit more substance, that isn't surface. Some of the films that I've done in the past really were surface.

I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.

I was a shy, quiet kid. I was happiest playing by myself with my toys, rather than hanging around people.

In truth, making films doesn't feel like hard work because I always have such a good time doing it.

After I did Untamed Heart I wanted to do a film that was outrageous. I really wanted to do, you know, a performance. I don't want to allow my image to rule the choices that I make.

Well, obviously, as soon as I'd finished the script I read a lot of books on Winston Churchill, and started to gain weight and really prepare emotionally, mentally and physically for the role.

There was a time when I felt I should do everything that was offered to me, you know, ride the wave.

The guys from Atari that are making the next Alone in the Dark game came and we had a great meeting. I'd love to do that. I'm a fan of videogames. I like them. And to get to be part of one of them would be a fun and exciting thing.

'Heathers' was probably the first time when I started to notice that people were opening doors for me and giving me tables at restaurants, regardless of what I was wearing. A whole world opened up to me that was shocking and weird and different, and I enjoyed it, and, you know, I took great advantage of it at times.

'Pump Up the Volume' was a film and character that I really responded to. That was a movie about a guy trying to take down the establishment using a ham radio. I feel 'Mr. Robot' has a similar value. This show is about taking down a global empire. I was an anarchist then. I'm getting to be an anarchist again.

Actors sometimes immerse themselves into it so deeply that the line between who they are and their character can become blurred. For me, I think it's just about getting clearer on my whole life and who I am in order to make it possible for me to play whatever character is presented to me at a particular time.

An actor equals, sometimes, an entitled baby. People take care of things for me, and they pay greater attention to things than I was ever capable of doing. But in the last few years, I have learned a great deal more about taking care of things. I pay my own bills now.

As I've gotten to know myself over the years, I realised I'm kind of a sweet, sensitive guy, a shy guy, and communication is not something I'm so good at.

Drama can be an addiction. It's so, so sneaky. Jealousy - all of those things can really send you in a lot of different crazy directions.

Eighty-five per cent of the time, people want to talk about 'True Romance.' That's the film I've made that really seems to have stuck with people.

Having kids certainly gets me to ask the question, 'Who is the adult here, and who is the kid?'

I am a gypsy, in a way. It's a condition of my profession.

I can be going through nothing, but within me, in my head, oh my God! It can be a circus.

I did regret not graduating high school, but I made a point of going back and getting my GED later. It was important for my kids.

I do have a Twitter account, and there's a woman at my agency who got that all set up for me. I don't know how many followers I have. It's not one of those things I check on a regular basis.

I enjoy the process of TV; I like the pace of it; I like the continual work.

I had such a lack of respect for women that I just treated them as a hobby, trying to live up to the supposed image of Jack Nicholson and all those guys who were womanizers.

I had tutors, but education was just not a priority.

I have that glass-half-empty syndrome, and it takes a great deal of effort to climb out of the hole of darkness that I choose to live in mentally.

I lost myself, and a lot of characters I played, I have latched onto some of their identities just because I was so lacking in anything of my own.

I operate better with education and awareness, like I think all of us do. I don't like to be walking around in a vacuum, lost in my own thoughts. I'm much better with information.